“Now just listen to me,” said Merton, squaring himself before the other, and prepared to launch out concerning the futility of life in the Foreign Office; but Constance at that moment interposed to say that tea was waiting. She had herself taken the tea-things from the general servant, who had brought them to the door, and was a slatternly girl, not presentable.

“I must tell you, Connie,” began Merton, as soon as they were seated, for he had forgotten all about the other subject by this time, “that when I met Eden this afternoon he at once agreed to accompany me home to make your acquaintance, and take pot-luck with us. Of course I have told him all about our present circumstances, that we are not settled yet, and living in a kind of Bohemian fashion.”

Eden on his side made several attempts to converse with the ladies, but they were not very successful, for Merton, although engaged in consuming cold mutton and pickles with great zest, would not allow them to wander off from his own affairs.

“I have something grand to tell you, Arthur” he went on, not noticing his wife's uncomfortable state of mind, and frequent glances in his direction. “You know all about what I am doing just now. Not bad stuff, I believe. The editors who know me will take as much of it as I care to give them. But I am not going to settle down into a mere magazine writer, although just at present it serves my purpose to scatter a few papers about among the periodicals. But in a short time I intend to make a new departure. I dare say it will rather astonish you to hear about it.”

His grand idea, he proceeded to say, was to write a story—the first of a series—that would be no story at all in the ordinary sense, since it would have no plot or plan or purpose of any kind. Nor would there be analysis and description—nothing to skip, in fact. The people of his brain would do nothing and say nothing—at all events there would be no dialogue. The characters would be mere faint pencil-marks—something less than shadows.

Tea was over by the time this subject was exhausted; Eden's curiosity about his friend's projected novel, described so far by negatives only, had apparently subsided, for he managed to turn the conversation to some other subject; and presently Constance was persuaded to sit down to the piano. She played under difficulties on the dismal old lodging-house instrument, but declined to sing, alleging a cold, of which there was no evidence. Merton turned the music for her, and for the first time his friend found an opportunity of exchanging a few words with Fan. When first introduced to her their eyes had met for a moment, and his had brightened with an expression of agreeable surprise; afterwards during tea, when the flow of Merton's inconsequent chatter had made conversation impossible, his eyes had wandered frequently to her face as if they found it pleasant to rest there.

“Mrs. Chance plays skilfully,” he said. “Merton is fortunate in such a wife.”

“Yes; but I like her singing best. I am sorry she can't sing this evening, as it is always such a treat to me to listen to her.”

“But you will sing presently, Miss Affleck, will you not? I have been waiting to ask you.”

“I neither sing nor play, Mr. Eden. In music, as in everything else that requires study and taste, I am a perfect contrast to my friend.”