After gloating a few moments over it, touching it with my finger-tips and opening the little black and gold wings, I looked up pleadingly and begged him to let me keep it. He smiled and shook his head: he would not waste his breath talking; all his energy was to be spent in hurling pebbles at other lovely little birds.
"Oh, senor, will you not give it to me?" I pleaded still; and then, with sudden hope, "Are you going to sell it?"
He laughed, and taking it from my hand put it back in his waistcoat pocket; then, with a pleasant smile and a nod to say that the interview was now over, he went on his way.
Standing on the spot where he left me, and still bitterly regretting that I had failed to get the bird, I watched him until he disappeared from sight in the distance, walking towards the suburb of Palermo; and a mystery he remains to this day, the one and only Argentine gentleman, a citizen of the Athens of South America, amusing himself by killing little birds with pebbles. But I do not know that it was an amusement. He had perhaps in some wild moment made a vow to kill so many siskins in that way, or a bet to prove his skill in throwing a pebble; or he might have been practising a cure for some mysterious deadly malady, prescribed by some wandering physician from Bagdad or Ispaham; or, more probable still, some heartless, soulless woman he was in love with had imposed this fantastical task on him.
Perhaps the most wonderful thing I saw during that first eventful visit to the capital was the famed Don Eusebio, the court jester or fool of the President or Dictator Rosas, the "Nero of South America," who lived in his palace at Palermo, just outside the city. I had been sent with my sisters and little brother to spend the day at the house of an Anglo-Argentine family in another part of the town, and we were in the large courtyard playing with the children of the house when some one opened a window above us and called out, "Don Eusebio!" That conveyed nothing to me, but the little boys of the house knew what it meant; it meant that if we went quickly out to the street we might catch a glimpse of the great man in all his glory. At all events, they jumped up, flinging their toys away, and rushed to the street door, and we after them. Coming out we found quite a crowd of lookers-on, and then down the street, in his general's dress—for it was one of the Dictator's little jokes to make his fool a general—all scarlet, with a big scarlet three-cornered hat surmounted by an immense aigrette of scarlet plumes, came Don Eusebio. He marched along with tremendous dignity, his sword at his side, and twelve soldiers, also in scarlet, his bodyguard, walking six on each side of him with drawn swords in their hands.
We gazed with joyful excitement at this splendid spectacle, and it made it all the more thrilling when one of the boys whispered in my ear that if any person in the crowd laughed or made any insulting or rude remark, he would be instantly cut to pieces by the guard. And they looked truculent enough for anything.
The great Rosas himself I did not see, but it was something to have had this momentary sight of General Eusebio, his fool, on the eve of his fall after a reign of over twenty years, during which he proved himself one of the bloodiest as well as the most original-minded of the Caudillos and Dictators, and altogether, perhaps, the greatest of those who have climbed into power in this continent of republics and revolutions.
CHAPTER VIII
THE TYRANT'S FALL AND WHAT FOLLOWED
The portraits in our drawing-room—The Dictator Rosas who was like an Englishman—The strange face of his wife, Encarnacion—The traitor Urquiza—The Minister of War, his peacocks, and his son—Home again from the city—The War deprives us of our playmate—Natalia, our shepherd's wife—Her son, Medardo—The Alcalde our grand old man— Battle of Monte Caseros—The defeated army—Demands for fresh horses— In peril—My father's shining defects—His pleasure in a thunder storm—A childlike trust in his fellow-men—Soldiers turn upon their officer—A refugee given up and murdered—Our Alcalde again—On cutting throats—Ferocity and cynicism—Native blood-lust and its effect on a boy's mind—Feeling about Rosas—A bird poem or tale—Vain search for lost poem and story of its authorship—The Dictator's daughter—Time, the old god.