This is a picture of my mother as she appeared to all who knew her. In my individual case there was more, a secret bond of union between us, since she best understood my feeling for Nature and sense of beauty, and recognized that in this I was nearest to her. Thus, besides and above the love of mother and son, we had a spiritual kinship, and this was so much to me that everything beautiful in sight or sound that affected me came associated with her to my mind. I have found this feeling most perfectly expressed in some lines to the Snowdrop by our lost poet, Dolben. I am in doubt, he wrote,

If summer brings a flower so lovable
Of such a meditative restfulness
As this, with all her roses and carnations.
The morning hardly stirs their noiseless bells;
Yet could I fancy that they whispered "Home,"
For all things gentle, all things beautiful,
I hold, my mother, for a part of thee.

So have I held. All things beautiful, but chiefly flowers. Her feeling for them was little short of adoration. Her religious mind appeared to regard them as little voiceless messengers from the Author of our beings and of Nature, or as divine symbols of a place and a beauty beyond our power to imagine.

I think it likely that when Dolben penned those lines to the Snowdrop it was in his mind that this was one of his mother's favourites. My mother had her favourites too; not the roses and carnations in our gardens, but mostly among the wild flowers growing on the pampas— flowers which I never see in England. But I remember them, and if by some strange chance I should find myself once more in that distant region, I should go out in search of them, and seeing them again, feel that I was communing with her spirit.

These memories of my mother are a relief to me in recalling that melancholy time, the years of my youth that were wasted and worse, considering their effect and that the very thought of that period, which is to others the fullest, richest, and happiest in life, has always been painful to me. Yet to it I am now obliged to return for the space of two or three pages to relate how I eventually came out of it.

My case was not precisely like that of Cooper's Castaway, but rather like that of a fugitive from his ship on some tropical coast who, on swimming to the shore, finds himself in a mangrove swamp, waist-deep in mire, tangled in rope-like roots, straining frantically to escape his doom.

I have told how after my fifteenth anniversary, when I first began to reflect seriously on my future life, the idea still persisted that my perpetual delight in Nature was nothing more than a condition or phase of my child's and boy's mind, and would inevitably fade out in time. I might have guessed at an earlier date that this was a delusion, since the feeling had grown in strength with the years, but it was only after I took to reading at the beginning of my sixteenth year that I discovered its true character. One of the books I read then for the first time was White's Selborne, given to me by an old friend of our family, a merchant in Buenos Ayres, who had been accustomed to stay a week or two with us once a year when he took his holiday. He had been on a visit to Europe, and one day, he told me, when in London on the eve of his departure, he was in a bookshop, and seeing this book on the counter and glancing at a page or two, it occurred to him that it was just the right thing to get for that bird-loving boy out on the pampas. I read and re-read it many times, for nothing so good of its kind had ever come to me, but it did not reveal to me the secret of my own feeling for Nature—the feeling of which I was becoming more and more conscious, which was a mystery to me, especially at certain moments, when it would come upon me with a sudden rush. So powerful it was, so unaccountable, I was actually afraid of it, yet I would go out of my way to seek it. At the hour of sunset I would go out half a mile or so from the house, and sitting on the dry grass with hands clasped round my knees, gaze at the western sky, waiting for it to take me. And I would ask myself: What does it mean? But there was no answer to that in any book concerning the "life and conversation of animals." I found it in other works: in Brown's Philosophy—another of the ancient tomes on our shelves—and in an old volume containing appreciations of the early nineteenth-century poets; also in other works. They did not tell me in so many words that it was the mystical faculty in me which produced those strange rushes or bursts of feeling and lifted me out of myself at moments; but what I found in their words was sufficient to show me that the feeling of delight in Nature was an enduring one, that others had known it, and that it had been a secret source of happiness throughout their lives.

This revelation, which in other circumstances would have made me exceedingly happy, only added to my misery when, as it appeared, I had only a short time to live. Nature could charm, she could enchant me, and her wordless messages to my soul were to me sweeter than honey and the honeycomb, but she could not take the sting and victory from death, and I had perforce to go elsewhere for consolation. Yet even so, in my worst days, my darkest years, when occupied with the laborious business of working out my own salvation with fear and trembling, with that spectre of death always following me, even so I could not rid my mind of its old passion and delight. The rising and setting sun, the sight of a lucid blue sky after cloud and rain, the long unheard familiar call-note of some newly-returned migrant, the first sight of some flower in spring, would bring back the old emotion and would be like a sudden ray of sunlight in a dark place—a momentary intense joy, to be succeeded by ineffable pain. Then there were times when these two opposite feelings mingled and would be together in my mind for hours at a time, and this occurred oftenest during the autumnal migration, when the great wave of bird-life set northwards, and all through March and April the birds were visible in flock succeeding flock from dawn to dark, until the summer visitants were all gone, to be succeeded in May by the birds from the far south, flying from the Antarctic winter.

This annual spectacle had always been a moving one, but the feeling it now produced—this mingled feeling—was most powerful on still moonlight nights, when I would sit or lie on my bed gazing out on the prospect, earth and sky, in its changed mysterious aspect. And, lying there, I would listen by the hour to the three-syllable call-note of the upland or solitary plover, as the birds went past, each bird alone far up in the dim sky, winging his way to the north. It was a strange vigil I kept, stirred by strange thoughts and feelings, in that moonlit earth that was strange too, albeit familiar, for never before had the sense of the supernatural in Nature been stronger. And the bird I listened to, that same solitary plover I had known and admired from my earliest years, the most graceful of birds, beautiful to see and hear when it would spring up before my horse with its prolonged wild bubbling cry of alarm and go away with swift, swallow-like flight—what intensity and gladness of life was in it, what a wonderful inherited knowledge in its brain, and what an inexhaustible vigour in its slender frame to enable it to perform that annual double journey of upwards of ten thousand miles! What a joy it would be to live for ages in a world of such fascinating phenomena! If some great physician, wise beyond all others, infallible, had said to me that all my doctors had been wrong, that, barring accidents, I had yet fifty years to live, or forty, or even thirty, I should have worshipped him and would have counted myself the happiest being on the globe, with so many autumns and winters and springs and summers to see yet.

With these supernatural moonlight nights I finish the story of that dark time, albeit the darkness had not yet gone; to have recalled it and related it briefly as I could once in my life is enough. Let me now go back to the simile of the lost wretch struggling for life in the mangrove swamp. The first sense of having set my foot on a firmer place in that slough of fetid slime, of a wholesome breath of air blown to me from outside the shadow of the black abhorred forest, was when I began to experience intervals of relief from physical pain, when these grew more and more frequent and would extend to entire days, then to weeks, and for a time I would become oblivious of my precarious state. I was still and for a long time subject to attacks, when the pain was intolerable and was like steel driven into my heart, always followed by violent palpitations, which would last for hours. But I found that exercise on foot or horseback made me no worse, and I became more and more venturesome, spending most of my time out of doors, although often troubled with the thought that my passion for Nature was a hindrance to me, a turning aside from the difficult way I had been striving to keep.