'Tis better to have loved and lost
Than never to have loved at all.

To love, in fact, though not exactly said to be incumbent upon all men, is yet endowed with something that is almost of the nature of a duty. If a man cannot love, it is looked on as a sort of moral misfortune, if not as a moral fault in him. And when a man can love, and does love successfully, then it is held that his whole nature has burst out into blossom. The imaginative literature of the modern world centres chiefly about this human crisis; and its importance in literature is but a reflection of its importance in life. It is, as it were, the sun of the world of sentiment—the source of its lights and colours, and also of its shadows. It is the crown of man's existence; it gives life its highest quality; and, if we can believe what those who have known it tell us, earth under its influence seems to be melting into, and to be almost joined with, heaven.

All this language, however, about love, no matter how true in a certain sense it may be, is emphatically true about it in a certain sense only, and is by no means to be taken without reserve. It is emphatically not true about love in general, but only about love as modified in a certain special way. The form of the affection, so to speak, is more important than the substance of it. It will need but little consideration to show us that this is so. Love is a thing that can take countless forms; and were not the form, for the modern world, the thing of the first importance, the praise bestowed upon all forms of it would be equal, or graduated only with reference to intensity. But the very reverse of this is the case really. In our estimate of an affection, its intensity, though doubtless of great importance, is yet of an importance that is clearly secondary. Else things that the modern world regards as the most abominable might be on a level with the things it regards as most pure and holy; the lovers of Athens might even put to shame with their passion the calm sacramental constancy of many a Christian pair; and the whole fabric of modern morals would be undermined. For, according to the modern conception of morals, love can not only give life its highest quality, but its lowest also. If it can raise man to the angels, it can also sink him below the beasts; and as to its intensity, it is a force which will carry him in the one direction just as well as the other. Kind and not degree is the first thing needful. It is the former, and not the latter, that essentially separates David and Jonathan from Harmodius and Aristogeiton, St. Elizabeth from Cleopatra, the beloved disciple from Antinous. How shall we love? is the great question for us. It comes long before, How much shall we love?

Let us imagine a bride and bridegroom of the type that would now be most highly reverenced, and try to understand something of what their affection is. It is, of course, impossible here to treat such a subject adequately; for, as Mr. Carlyle says, 'except musically, and in the language of poetry, it can hardly be so much as spoken about.' But enough for the present purpose can perhaps be said. In the first place, then, the affection in question will be seen to rest mainly upon two things—firstly, on the consciousness of their own respective characters on the part of each; and, secondly, on the idea formed by each of the character of the other. Each must have a faith, for instance, in his or her own purity, and each must have a like faith, also in the purity of the other. Thus, to begin with the first requisites, a man can only love a woman in the highest sense when he does so with a perfectly clear conscience. There must be no obstacle between them which shocks his sense of right, or which, if known by the woman, would shock hers. Were the affection indulged in, in spite of such an obstacle, its fine quality would be injured, no matter how great its intensity; and, instead of a moral blessing, it would become a moral curse. An exquisite expression of the necessity of this personal sense of rightness may be read into the well-known lines,

I could not love thee, dear, so well,
Loved I not honour more.

Nor shall we look on honour here as having reference only to external acts and conditions. It has reference equally, if not more, to the inward state of the heart. The man must be conscious not only that he is loving the right woman, but that he is loving her in the right way. 'If I loved not purity more than you,' he would say to her, 'I were not worthy of you.'

And further, just as he requires to possess this taintless conscience himself, so does he require to be assured that the like is possessed by her. Unless he knows that she loves purity more than him, there is no meaning in his aspiration that he may be found worthy of her. The gift of her affection that is of such value to him, is not of value because it is affection simply, but because it is affection of a high kind; and its elevation is of more consequence to him than its intensity, or even than its continuance. He would sooner that at the expense of its intensity it remained pure, than that at the expense of its purity it remained intense. Othello was certainly not a husband of the highest type, and yet we see something of this even in his case. His sufferings at his wife's supposed inconstancy have doubtless in them a large selfish element. Much of them is caused by the mere passion of jealousy. But the deepest sting of all does not lie here. It lies rather in the thought of what his wife has done to herself, than of what she has done to him. This is what overcomes him.

The bawdy wind, that kisses all it meets,
Is hushed within the hollow mine of earth,
And will not hear it.

He could have borne anything but a soul's tragedy like this:

Alas! to make me
A fixed figure for the time of scorn
To point his slow unmoving finger at!
Yet I could bear that too, well—very well:
But there, where I have garnered up my heart,
Where I must either live, or bear no life;
The fountain from the which my current runs
Or else dries up; to be discarded thence!
Or keep it as a cistern for foul toads
To knot and gender in!