| The positive theory is that the health of the social organism is the real foundation of morals | [49] |
| But social health is nothing but the personal health of all the members of the society | [51] |
| It is not happiness itself, but the negative conditions that make happiness for all | [51] |
| Still less is social health any high kind of happiness | [54] |
| It can only be maintained to be so, by supposing | [55] |
| Either, that all kinds of happiness are equally high that do not interfere with others | [55] |
| Or, that it is only a high kind of happiness that can be shared by all | [56] |
| Both of which suppositions are false | [57] |
| The conditions of social health are a moral end only when we each feel a personal delight in maintaining them | [58] |
| In this case they will supply us with a small portion of the moral aid needed | [59] |
| But this case is not a possible one | [60] |
| There is indeed the natural impulse of sympathy that might tend to make it so | [61] |
| But this is counterbalanced by the corresponding impulse of selfishness | [63] |
| And this impulse of sympathy itself is of very limited power | [63] |
| Except under very rare conditions | [63] |
| The conditions of general happiness are far too vague to do more than very slightly excite it | [64] |
| Or give it power enough to neutralise any personal temptation | [66] |
| At all events they would excite no enthusiasm | [67] |
| For this purpose there must be some prize before us, of recognised positive value, more or less definite | [67] |
| And before all things, to be enjoyed by us individually | [67] |
| Unless this prize be of great value to begin with, its value will not become great because great numbers obtain it | [71] |
| Nor until we know what it is, do we gain anything by the hope that men may more completely make it their own in the future | [72] |
| The modern positive school requires a great general enthusiasm for the general good | [73] |
| They therefore presuppose an extreme value for the individual good | [74] |
| Our first enquiry must be therefore what the higher individual good is | [76] |
[CHAPTER IV.]
GOODNESS AS ITS OWN REWARD.
| What has been said in the last chapter is really admitted by the positive school themselves | [77] |
| As we can learn explicitly from George Eliot | [78] |
| In Daniel Deronda | [78] |
| That the fundamental moral question is, 'In what way shall the individual make life pleasant?' | [79] |
| And the right way, for the positivists, as for the Christians, is an inward way | [80] |
| The moral end is a certain inward state of the heart, and the positivists say it is a sufficient attraction in itself, without any aid from religion | [81] |
| And they support this view by numerous examples | [82] |
| But all such examples are useless | [83] |
| Because though we may get rid of religion in its pure form | [83] |
| There is much that we have not got rid of, embodied still in the moral end | [84] |
| To test the intrinsic value of the end, we must sublimate this religion out of it | [86] |
| For this purpose we will consider, first, the three general characteristics of the moral end, viz. | [88] |
| Its inwardness | [88] |
| Its importance | [89] |
| And its absolute character | [91] |
| Now all these three characteristics can be explained by religion | [93] |
| And cannot be explained without it | [96] |
| The positive moral end must therefore be completely divested of them | [100] |
| The next question is, will it be equally attractive then? | [100] |
[CHAPTER V.]
LOVE AS A TEST OF GOODNESS.
| The positivists represent love as a thing whose value is self-dependent | [101] |
| And which gives to life a positive and incalculable worth | [103] |
| But this is supposed to be true of one form of love only | [104] |
| And the very opposite is supposed to hold good of all other forms | [105] |
| The right form depends on the conformity of each of the lovers to a certain inward standard | [105] |
| As we can see exemplified in the case of Othello and Desdemona, etc. | [107] |
| The kind and not the degree of the love is what gives love its special value | [108] |
| And the selection of this kind can be neither made nor justified on positive principles | [109] |
| As the following quotations from Théophile Gautier will show us | [110] |
| Which are supposed by many to embody the true view of love | [110] |
| According to this view, purity is simply a disease both in man and woman, or at any rate no merit | [116] |
| If love is to be a moral end, this view must be absolutely condemned | [117] |
| But positivism cannot condemn it, or support the opposite view | [117] |
| As we shall see by recurring to Professor Huxley's argument | [118] |
| Which will show us that all moral language as applied to love is either distinctly religious or else altogether ludicrous | [122] |
| For it is clearly only on moral grounds that we can give that blame to vice, which is the measure of the praise we give to virtue | [123] |
| The misery of the former depends on religious anticipations | [124] |
| And so does also the blessedness of the latter | [125] |
| As we can see in numerous literary expressions of it | [126] |
| Positivism, by destroying these anticipations, changes the whole character of the love in question | [128] |
| And prevents love from supplying us with any moral standard | [131] |
| The loss sustained by love will indicate the general loss sustained by life | [131] |
[CHAPTER VI.]
LIFE AS ITS OWN REWARD.
| We must now examine what will be the practical result on life in general of the loss just indicated | [132] |
| To do this, we will take life as reflected in the mirror of the great dramatic art of the world | [134] |
| And this will show us how the moral judgment is the chief faculty to which all that is great or intense in this art appeals | [136] |
| We shall see this, for instance, in Macbeth | [137] |
| In Hamlet | [137] |
| In Antigone | [137] |
| In Measure for Measure, and in Faust | [138] |
| And also in degraded art just as well as in sublime art | [139] |
| In profligate and cynical art, such as Congreve's | [140] |
| And in concupiscent art | [141] |
| Such as Mademoiselle de Maupin | [141] |
| Or such works as that of Meursius, or the worst scenes in Petronius | [142] |
| The supernatural moral judgment is the chief thing everywhere | [143] |
| Take away this judgment, and art loses all its strange interest | [144] |
| And so will it be with life | [145] |
| The moral landscape will be ruined | [145] |
| Even the mere sensuous joy of living in health will grow duller | [146] |
| Nor will culture be of the least avail without the supernatural moral element | [148] |
| Nor will the devotion to truth for its own sake, which is the last refuge of the positivists when in despair | [149] |
| For this last has no meaning whatever, except as a form of concrete theism | [152] |
| The reverence for Nature is but another form of the devotion to truth, and its only possible meaning is equally theistic | [157] |
| Thus all the higher resources of positivism fail together | [161] |
| And the highest positive value of life would be something less than its present value | [161] |
[CHAPTER VII.]
THE SUPERSTITION OF POSITIVISM.
| From what we have just seen, the visionary character of the positivist conception of progress becomes evident | [163] |
| Its object is far more plainly an illusion than the Christian heaven | [164] |
| All the objections urged against the latter apply with far more force to the former | [165] |
| As a matter of fact, there is no possible object sufficient to start the enthusiasm required by the positivists | [167] |
| To make the required enthusiasm possible human nature would have to be completely changed | [168] |
| Two existing qualities, for instance, would have to be magnified to an impossible extent—imagination | [169] |
| And unselfishness | [170] |
| If we state the positive system in terms of common life, its visionary character becomes evident | [172] |
| The examples which have suggested its possibility are quite misleading | [173] |
| The positive system is really far more based on superstition than any religion | [175] |
| Its appearance can only be accounted for by the characters and circumstances of its originators | [175] |
| And a consideration of these will help us more than anything to estimate it rightly | [178] |
| And will let us see that its only practical tendency is to deaden all our present interests, not to create any new ones | [179] |
[CHAPTER VIII.]
THE PRACTICAL PROSPECT.