We have already referred to the practice, noted in various parts of England and Wales, of cutting "Troy-towns" in the turf. Most of us are, moreover, familiar with the schoolboy pastime of drawing mazes on paper, or on slates in the days before they were banished on hygienic grounds; the object of the designer in this case differing from that of the Troy-town constructors in that it consists of providing as difficult a puzzle as one's ingenuity at the moment can devise, whereas the latter merely laid out a conventional unicursal figure for the purpose of performing a ceremonial or playing a game thereon, like the squares for nine-men's morris or the diagram for hop-scotch.
An ingenious development of the hedge maze principle is the construction of indoor mazes lined with mirrors, by means of which the perplexity of the visitor is very greatly increased. Such "mirror mazes" often find a place in fairs and exhibitions.
[Photo: W. H. M.
Fig. 141. Sea-Side Sand Maze.
[Photo: W. H. M.
Fig. 142. Sea-Side Sand Maze.
Another method of utilising the puzzle-maze idea, and one which constitutes a valuable asset to the parent or nurse in charge of young children at the sea-side, is that of scratching maze-figures on the sands, of sufficient dimensions to enable little feet to perambulate the paths. Figures [141] and [142] show some of the mazes constructed on the sands of a well-known southern resort in the summer of 1920. The examples shown were made in a quiet corner of the beach and were "snapped" before the children had discovered them; otherwise, although no doubt prettier pictures would have resulted, the mazes would have been invisible.