[7] See also p. [91].

The word "Troy" alone is also of fairly frequent occurrence, as for instance near Stalybridge, Lancs, and near Londonderry; Troy Michell and Troy Hall are found in Monmouthshire, and the latter name also at Blackburn, Lancs, but such names are no more likely to have any connection with ancient maze sites than is the flourishing city of similar name in the United States, the probability being that in all these cases it is the famous Troy of the Iliad that furnished the inspiration. The name of Troy-town may in some cases have been given on account of irregularity or intricacy of design, for the word is found in certain local dialects as a synonym for a state of confusion, an untidy house being said to be "just like Troy-town."

It is surely uncommon for the word "Labyrinth" itself to be found as a place-name, but in February 1911 Captain Scott pitched his camp in an Antarctic spot which, on account of the fantastically sinuous nature of its surroundings, he decided to name "Labyrinth Camp."

We must now draw to a close.

Enough has perhaps been said to give some idea of the variety and extent of the different ways in which the labyrinth idea has developed and in which it has been employed, but it would obviously be wrong to assume that the last word on the subject has now been pronounced.

As regards the early history of the idea and of the terms associated with it we have seen that the boundaries of our knowledge are still misty and ill-defined, a circumstance that only gives zest to the study of the subject.

We see that our enquiry has taken us into realms far removed from everyday experience and in which we feel the need of special training in order to weigh the facts presented. It has given us glimpses of the workshop of the archaeologist, the anthropologist, and the etymologist.

The study of later developments has led us into curious by-paths of art and literature—classical, mediaeval, renaissance, and modern—and we see that even now the labyrinth idea has not entirely ceased to exercise its allurements or to evoke the spirit of invention.

There is still room for a good deal of research and for the possibility of highly interesting discoveries in respect of almost every phase of the labyrinth's past history.

With regard to its future developments, much as we should have liked to close our review with a vindication of utilitarian interest, and although one can never safely prophesy to what uses the ingenuity of men may put any given principle, we could not hope to sound an expectant note without creating an impression of fatuity. Lest this statement be taken to mean that our enquiry has, therefore, had no practical aim, let us hasten to repeat once more the hope expressed in our introductory chapter to the effect that a perusal of this little book will at least ensure a revival of interest in, and consequently the preservation of, those few relics of rustic revelry and prehistoric magic which yet remain with us in the shape of the turf labyrinths.