Let us hope that the Hous-Wife whose duty was to prepare and keep in order these "Choice new Forms" had plenty of time on her hands.
The two mazes included in a tiny book amongst the Harley Manuscripts ([Figs. 77 and 78]) were probably intended for flower-bed mazes. The book consists of a collection of 166 sketches of flower-beds, "knots," etc., and probably belonged to some seventeenth-century gardener.
These mazes, like most of the early forms, are of the "unicursal" type; that is, they have only one path, without loops or branches. It seems most likely that such mazes would be constructed either of flower-beds or of some low-growing shrubs, such as box. If constructed of high hedges the pattern would be invisible, except from a superior eminence, and they would afford but a poor sort of entertainment to the visitor, who would have nothing to do but to follow the path until he came to a full stop, and then retrace his steps. Nevertheless there is no doubt that some of them were made in this way. On the other hand the flower-bed labyrinth was not necessarily unicursal, as we may see from the plans of De Vries.
Fig. 79.—Maze Design by Adam Islip, 1602.
The actual form of the unicursal type of labyrinth was, in all the earlier designs, whether circular or square, in very close agreement with the classic model, but in later designs monotony was avoided by means of some ingenious modifications. One of the earliest of these is shown in [Fig. 79], which is copied from a very rare book called "The Orchard and The Garden," gathered from French and Dutch sources and published by Adam Islip in 1602. [Fig. 80] shows one of several specimens which are given in a Dutch book of about half a century later, "Nederlantze Hesperides," by J. Commelyn (1676). It is perhaps as likely, however, that these were intended as designs for a hedge maze, or "Doolhof," as the Dutch call it.
Fig. 80.—Maze Design by J. Commelyn, 1676.
The box-edged paths of "Queen Mary's Bower" on the island of Inchmahome, by the Lake of Menteith, Stirlingshire, may mark the site of a former dwarf-box labyrinth. Tradition maintains that the maze was made for Mary Queen of Scots when she was staying there as a child. The original maze-pattern, if such existed, is lost by reason of the depredations of relic hunters, who for many years laid the bower under contribution and so denuded it that it had to be entirely replanted some fifty or sixty years ago. The box shrubs with which it was repaired, however, are said to have been taken from the gardens of Cardross, where they had been reared from cuttings derived from the original bower. They have now grown to a height of several feet, and the bower no doubt presents a very different appearance from that which it had in the days of the ill-starred Mary.
It consists of a winding box-bordered walk leading to a central thorn-bush, the whole affair being oval in outline, about thirty yards in circumference and surrounded by a paling. Close at hand, and enclosed within a square stone wall, is Queen Mary's garden, containing at the centre an old box tree which is affirmed to have been planted by the little princess herself.