Fig. 108. Gunterstein. Plan of Gardens, showing Maze. (N. Visscher, 1719)
Fig. 109. Gardens at Loo, Holland, with Mazes. (W. Harris, 1699.)
As regards Italy, we read that even the Pope himself, Clement X, took pleasure in watching the endeavours of his domestics to extricate themselves from the maze of tall box hedges which adorned his garden at Altieri. Evelyn, in 1646, describing his visit to Vicenza, remarks of the gardens of Count Ulmarini, or Vilmarini, outside the town, "Here is likewise a most inextricable labyrinth."
Sir Philip Skippon, describing his own visit to Vicenza in 1663, refers to the gardens as those of Count Valmarana, and mentions "a labyrinth of myrtle hedges." Skippon also speaks of labyrinths in the gardens of the Duke of Bavaria at Munich.
The Dutch gardeners made a great feature of the doolhof, typical examples being those at the Duke of Portland's château at Sorgvliet, near the Hague, at Gunterstein ([Figs. 107] and [108]), and at the Palace of Loo, the Dutch home of William and Mary ([Fig. 109]). Our illustration of the last-named is taken from Dr. W. Harris's book "The King's Palace and Gardens at Loo" (1699). It will be seen that the maze to the left is described as a "wilderness," as is also the structure to the extreme right, but whereas the latter certainly presents little of a labyrinthine appearance, the former is evidently a hedge maze, although perhaps loosely drawn. Harris uses the terms "maze" and "wilderness" interchangeably. He says that the King's labyrinth was formed of clipped hedges with sandy walks between, while the Queen's was decorated with fountains and statues. William the Third exercised his taste for this kind of embellishment also in the grounds of his English palaces. His gardeners, George London and Henry Wise, have left us one which, although of no great complexity, has become world-famous, namely, the specimen which forms part of the "Wilderness" in the gardens of Hampton Court Palace.