The testimony of the Catacombs respecting the mode of baptism, as far as it extends, is strongly in favour of aspersion or affusion. All their pictured representations of the rite indicate this mode, for which alone the early fonts seem adapted; nor is there any early art evidence of baptismal immersion. It seems incredible, if the latter were the original and exclusive mode, of apostolic and even Divine authority, that it should have left no trace in the earliest and most unconscious art-record, and have been supplanted therein by a new, unscriptural, and unhistoric method. It is apparent, indeed, from the writings of the fourth and fifth century, that many corrupt and unwarranted usages were introduced in connection with this Christian ordinance that greatly
marred its beauty and simplicity. It is unquestionable that at that time baptism by immersion was practised with many superstitious and unseemly rites. The subjects, both men and women, were divested of their clothing, to represent the putting off the body of sin; which, notwithstanding the greatest efforts to avoid it, inevitably provoked scandal. They then received trien immersion, to imitate, says Gregory Nyssen,[891] the three days’ burial of Christ; or, according to others, as a symbol of the Trinity. The rite was accompanied by exorcism, insufflation, unction, confirmation, the gift of milk and honey, the administration of the eucharist even to infants, the clothing in white garments, and carrying of lighted tapers, to all of which a mystical meaning was attached.
Fig. 131.—Baptismal Font.
But in the evidences of the Catacombs, which are the testimony of an earlier and purer period, there is no indication of this mode of baptism, nor of these dramatic accompaniments.[892] The marble font represented in the accompanying engraving, now in the crypts of St. Prisca within the walls, is said to have come from the
Catacombs, and to have been used for baptismal purposes by St. Peter, himself; in corroboration of which legend it bears the somewhat apocryphal inscription—SCI · PET · BAPTISMV · (sic.) The tradition at least attests its extreme antiquity; and its basin is quite too small for even infant immersion. Other fonts have been found in several of the subterranean chapels, among which is one in the Catacomb of Pontianus, hewn out of the solid tufa and fed by a living stream. It is 1·45 metres long, ·92 metres wide, and 1·11 metres deep, but is seldom near full of water. It is obviously too small for immersion, and was evidently designed for administering the rite as shown in the fresco which accompanies it. (See [Fig. 132].) The following inscription, from the Lapidarian Gallery, seems to have come from some such font, and perhaps contains a reference to the scripture, “Arise and be baptized, and wash away thy sins:” CORPORIS ET CORDIS MACVLAS VITALIS PVRGAT ET OMNE SIMVL ABLVIT VNDA—“The living stream cleanses the spots of the body as well as the heart, and at the same time washes away all (sins).”[893]
