Fig. 25.—Tombs on Appian Way.
Southeastward from the ancient Porta Capena of the city of Rome stretches the celebrated Appian Way, the most remarkable of those vast arteries of commerce along which flowed to the most distant provinces the vital currents from the great heart of the empire. This “Queen of Roads,”[292] as it was proudly called, was lined on either side by the stately tombs in which reposed the
ashes of the mighty dead.[293] “The history of Christian Rome,” says Padre Marchi,[294] “gives to this same road titles of glory incomparably more solid, just, and indisputable. We are forced to acknowledge it as the queen of Christian roads by reason of the greater number and extent of its cemeteries, and still more by the greater number and celebrity of its martyrs.” Under the present pontiff this historic highway has been excavated and opened for travel as far as Albano; and one may now traverse that avenue of tombs on the very causeway on which Horace and Virgil, Augustus and Mæcenas, Cicero and Seneca, must often have entered Rome. But it is invested with a profounder interest as the way by which the great Apostle of the Gentiles approached the city, “an ambassador in bonds,” to preach the gospel in Rome also, and to finish his testimony by a glorious martyrdom. By this very road also, according to an ancient tradition, his body was stealthily conveyed by night and deposited in an adjacent Catacomb; and here wended many a mourning procession
bearing to those lowly crypts the remains of Rome’s early bishops, martyrs, and confessors.
The ancient Porta Capena, with the dripping aqueduct above it,[295] have disappeared, and the fountain of Egeria, trampled by cattle, is no longer the haunt of nymph or naiad. Passing through the modern Sebastian gate and crossing the classic Almo, the traveller reaches at a short distance the little church of Domine quo vadis, with which is connected one of the most beautiful legends of the martyrology.[296]
About a mile and three quarters from the city he comes to Vigna Animendola, on the doorway leading to which is a marble tablet with the words CŒMETERIVM S. CALLIXTI. Beneath this vineyard lies the celebrated Catacomb of Callixtus, of which we propose to enter into a somewhat detailed description, as it will give
greater definiteness to the general conceptions already received, and will serve as a typical example of the origin and history of the Catacombs in general.
In the year 1849 De Rossi found in a cellar in this vineyard a broken marble slab with the mutilated inscription ELIVS · MARTYR, and at the beginning the upper part of the letters RN. He immediately conjectured that this was a fragment of the tombstone of Cornelius, a Roman bishop of the third century, whose sepulchre would probably be found not far off. At his persuasion the pope purchased the vineyard, and the archæological commission began the work of excavation. They were rewarded by some of the most remarkable discoveries which have yet been made.
The cemetery is situated between the Via Appia and the Via Ardeatina, which are connected by narrow cross-roads. De Rossi has prepared a map of the principal part of it, divided into fifteen rectilinear and generally rectangular areas. The dimensions of these areas are not fractional but round numbers, as 100, 125, 150, and 250 feet, which cannot be the result of accident, and, with other evidences, indicate that they were, like similar pagan sepulchral areas, originally so many separate places of burial. When brought under the ecclesiastical control of Callixtus, about A. D. 200, they probably received one common name, became structurally united, and were used as a public cemetery of the church.
The first of these areas which we reach on entering the vineyard is that known as the crypt of St. Lucina. It has a frontage of one hundred feet on the Via Appia, and an extension in agro of two hundred and thirty feet. The limits of this area are exactly defined by the presence of a small pagan hypogæum on each side, which the