The Ranelagh Garden was opened by John Jones, in June, 1765, for breakfast and evening entertainment. It was said that the grounds had been laid out at great expense and that it was by far the most rural retreat near the city. Music by a complete band was promised for every Monday and Thursday evening during the summer season. In the garden was a commodious hall for dancing, with drawing rooms neatly fitted up. The very best “alamode beef,” tarts, cakes, etc., were served, and on notice, dinners or other large entertainments would be provided. Mr. Leonard was announced to sing a solo and Mr. Jackson was to give three songs. The place had been the old homestead of Colonel Anthony Rutgers, where he had lived many years, near the present corner of Broadway and Thomas Street. It afterwards became the site of the New York Hospital, which stood there for almost a century. These summer entertainments were kept up for several years. In 1768 the garden was opened in the latter part of June, and notice was given that there would be performed a concert of vocal and instrumental music, the vocal parts by Mr. Woods and Miss Wainright, and by particular request, “Thro’ the Woods, Laddie,” would be sung by Miss Wainright; after which would be exhibited some curious fireworks by the two Italian brothers, whose performances had given so much satisfaction to the public. Tickets to be had at the gate for two shillings.

AT RANELAGH

When Edward Bardin opened the King’s Arms Tavern, on Broadway, in 1766, following the example of Jones in his Ranelagh Garden, he opened a concert of music for the entertainment of ladies and gentlemen, to be continued on every Monday, Wednesday and Friday during the summer season at the King’s Arms Garden. He gave notice that a convenient room had been filled up in the garden for the retreat of the company in unfavorable weather, and he stated that the countenance which had been given him warranted him, he thought, in expecting a continuance of the public favor. Having in mind the prejudice of the community against the theater he stated that he had provided an entertainment that would not offend “the most delecate of Mankind, as every possible precaution had been taken to prevent disorder and irregularity.”

During the exciting times following the passage of the Stamp Act there was a strong sentiment against the theatre among the people, “who thought it highly improper that such entertainments should be exhibited at this time of public distress.” The managers of the theatre in Chapel Street announced in their advertisement that “As the packet is arrived, and has been the messenger of good news relative to the Repeal, it is hoped the public has no objection to the above performance.” Although forewarned, the play was attempted and the house was wrecked by a mob. Under such circumstances it is not surprising that the people should turn to some more sober kind of entertainments. We give below the complete announcement of a concert of vocal and instrumental music, given at the New York Arms Tavern, in October, 1766, which is interesting in many ways.

“By Particular Desire of a good number of Ladies and Gentlemen of Credit and Character in the City.

There will be a Concert of Vocal and Instrumental Music at Mr. Burns’ New Room, to-morrow being the 28 Instant; to begin at 6 o’clock in the Evening. This Concert will consist of nothing but Church Musick, in which will be introduced a new Te Deum, Jublate Deo, Cantata Domino and Deus Misereatur, with an Anthem (in which there is an Obligato Part for a Harp, as there is also in the Cantata Domino), with several other pieces of Church Musick intermixed with other Instrumental Performances in order to ease the Voices. The whole to conclude with a Martial Psalm, viz. the 49th. Tate and Brady’s Version, accompanied with all the instruments and a pair of Drums.

N. B. There will be more than Forty Voices and Instruments in the Chorus.

Tickets to be had of Mr. Tuckey in Pearl Street near the Battery at Four Shillings each, who would take it as a great favor of any Gentlemen who sing or play on any Instrument to lend him their kind assistance in the performance and give him timely notice that there may be a sufficient Number of Parts wrote out.”