"Then you forgive me for going away, father?"

"Oh! I don't know about that. Isn't it enough if I say that I think you did the wise thing? It's pretty hard for me to say that, and you must be content with it."

He talked on for an hour or so, in a quiet, musing voice, recalling the histories of men he had known, most of them dead. He recalled their struggles, their ambitions, their infrequent victories, their frequent defeats, their occasional rise into social eminence, and the domestic infelicities that poisoned their success. It was a sorry record, a kind of epitome of modern covetousness, through which wailed the sombre note of the Hebrew moralist, Vanitas Vanitatum! Arthur could not but notice that he spoke no longer as a participant in the strife, but as a mere spectator. He saw the frantic whirl of men in pursuit of gold as something far off, unimportant, inherently mean and despicable. And he himself spoke as a man completely disillusioned, a derider and a mocker, whose dominant temper was ironic pity.

"Poor Sandy Macphail—I knew him when he earned a pound a week." And then would come a caustic sketch of Sandy, lying for his life in some crisis of his fortunes, "eating dirt," as he put it, to creep into a big man's favour, dragging with him into social light a wife who was the laughing-stock of unfamiliar drawing-rooms, and his cubs of boys, who took to drink or gambling—ending with the grim comment, "Spent his last years wheeled about in a chair, did Sandy—paralysed, you know."

Or it would be, "There's Steiner, South African millionaire, you know. I met him once in my great days. Poor wreck of a man, nerves all gone, took drugs, so they said. Committed suicide, did Steiner."

It was a long, almost involuntary unfolding of the filaments of memory. Man after man appeared in that phantasmagoric vision, foolish, pitiable, misguided, and sank out of sight pierced by the shaft of some ironic phrase.

"Well, I'm out of it all, and a good job, too," he concluded. "They'll be saying the same things about me when I'm dead. My! it's twelve o'clock! An old bankrupt fellow that works for Grimes ought to ha' been a-bed long ago. These are no hours for the British working man."

The next day was Sunday. To Arthur's surprise his father appeared after breakfast clothed in the fashion of his former life. The worn serge suit and low hat were laid aside; they were replaced by a black frock coat, a white waistcoat, and a top hat. He looked once more the city magnate—rather faded. And in some subtle way the better clothes had affected the physical aspect of the man. He no longer stooped; he stood erect, held himself well, had something of his former air of command.

"I've a fancy for a walk," he said. "Do you care to come?"

It was one of those mild and exquisite days which are the stars in the dreary firmament of winter. A soft wind blew out of the south-west, soft clouds moved across a blue-gray sky, and the air was pure and sparkling. Even Tottenham was touched with the spirit of a brief vivacity. The normal cloud of dinginess was miraculously dissolved, the sunlight glittered on the rain-pools, and a Sabbath calm lay upon the streets. It was the kind of day which the country-man calls "a weather-breeder"; which the less wise Londoner hails as the first pledge of returning summer.