"Well, this is what I want you to do. You will find the proofs of my new book downstairs on my desk. They must be corrected at once, or the book will miss the autumn season. Will you correct them for me?"

"If Elizabeth will let me," he said with a smile.

"I think she will let you. I am sure she would let no one else."

"Then I'll begin at once."

"Well, that's a load off my mind. And don't you think I'm going to die, for I'm not. But I'm in for a hard fight, there's no doubt of that. Now go to Elizabeth—and the proofs. I'm tired out, and will sleep. I've never been lazy in my life before, and it's a new and quite exquisite sensation."

From that hour a strange chapter of life began for Arthur. Eagle House was closed, and he took refuge with Mrs. Bundy. He wrote his father a brief note, saying he was detained in London, and would not return to Brighton. He had not the courage to tell him the whole truth; that revelation would come soon enough, and he did not wish to antagonise his father by an abrupt declaration of his position. To this note his father made no reply.

Most of his hours were spent in the little house in Lonsdale Road. There he toiled over Vickars's new book. Much of it consisted of rough drafts, which he had to copy and piece together as best he could. In this delicate work he could obtain no counsel from Vickars.

Of Elizabeth he saw much, and yet far less than he would have imagined possible. She was constantly at her father's bedside. And as the days wore on, the fight for life in that shadowed room became intense. A silent pressure of her hand, a silent kiss—and she would glide from him like a ghost, and disappear into the gloom of that upper chamber.

One night it happened that she had gone to rest, worn out with long watching, and Arthur took her place at Vickars' bedside. For a long time Vickars lay in complete stupor. The gray dawn was near, and a milk-cart rattled down the road. The noise roused him for a moment, and he began to speak in half-delirious words.

"The old story," he said. "Rotten work, and human lives to pay for it. The poor ... the poor pay for everything in this world ... with their blood. And the rich sit in houses splashed with the blood of the poor, and don't even know it.... I always knew the drains were bad. I always said they smelt of death. But that damned builder didn't care—not he. He only laughed ... laughed."