"And did they sack you?"
"They did. Or, to be more precise, I sacked myself."
"Well, why shouldn't you and I join forces? Of course I wouldn't think of saying this to any one but an Englishman. I can give you lots of stuff, and you can write it up, you know. We might make a book, don't you think?"
"But I know nothing about art except in an amateur way."
"And what's that matter, I'd like to know? I'll be bound you know lots more than the folk that do the writing here. And as for the collections—oh my, you should see them! Constables done in Soho, and Raphaels painted in Paris; curtains hung over them, if you please, as if they were too precious to see the light; and when you mildly remark, 'But that picture's in Munich or Dresden or Buckingham Palace,' they reply indignantly, 'Oh no! that's the copy—this the original. I have a certificate of genuineness.' And then they produce a written pedigree, with the names of Prince This or Prince That, through whose hands their precious canvas has passed, when any one with half an eye can see that the paint is 'ardly dry upon it."
"Is it as bad as that?"
"Much worse, if I told you all."
And thereupon followed story after story, full of rapid etchings of the dupes and the dealers; with amazing biographies of adroit Jews born in garrets who now owned palaces and sported titles; and strange old men in London who hid behind shuttered windows genuine and priceless pictures, and credulous millionaires in New York, who bought what might by courtesy be called pictures by the yard, labelling them with august names, and taking care that the papers duly reported the immense sums they paid for them. It was all highly amusing, a backstairs view of life, so to speak, which somehow bore the stamp of the authentic. The time sped; the music and the company had become less restrained; and the hovering waiter reminded them by his black looks that they had sat too long.
"Where are you staying?" said Homer, as they rose to go.
Arthur mentioned the hotel to which he had sent his trunks.