[Die Meistersinger.]

Ge-ne-sis am

neun und zwan-zig-sten

uns be-richt wie Ja-cob floh

vor sein bru-der E-sau

ent-wicht.

The reader will note that in the first of these there is a clearly marked rhythmic movement of the simplest kind. The tune is distinctly in the modern key of G major, and it is not polyphonic. The second tune is in F major and while its rhythm is not clearly indicated, it is plainly not a polyphonic composition. The directness of this kind of music and its suitability to the expression of simple feelings were bound to make themselves felt sooner or later in music. We are now to examine into the causes which led to the simplification of church music and forced composers to turn their attention more and more to the music of the people.


[Chapter VI]