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THE RING.

This theme is subjected to so many developments that they cannot be enumerated in a work of this kind. A single glance, however, will show the reader how closely related it is to the "Götterdämmerung" motive. In certain passages, as in the scene between Brünnhilde and the disguised Siegfried in "Götterdämmerung" this theme and the Walhalla theme are combined, by an ingenious use of the rhythm and melodic sequence of the one with the melody and harmony of the other, to identify Brünnhilde's personality with possession of the ring. Other important motives introduced early in the "Rheingold" are the following:

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RENUNCIATION.

Nun wer der Minne Macht entsagt,
nur wer der Liebe Lust verjagt
But he who passion's power forswears,
and from delights of love forbears

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WALHALLA.