And also in another place:—
“The bag pipe blew and they outhrew
Out of the townis untald.”
Except that he gives us the first really authentic historical Scottish reference to the pipes, King James and his connection with the music is rather a puzzling subject.
A.D. 1409.—What is believed to be the oldest authentic specimen of the bagpipe now existing is that in the possession of Messrs. J. & R. Glen, of Edinburgh, which bears the date 1409. Except that it wants the large drone, which was added at the beginning of the eighteenth century, it is very much the Highland pipe of the present day. The following is a description of the instrument:—
“Highland bagpipe, having two small drones and chanter, finely ornamented with Celtic patterns carved in circular bands. The drones are inserted in a stock apparently formed from a forked branch, the fork giving the drones their proper spread for the shoulder. In the centre of the stock are the letters ‘R. Mc D,’ below them a galley, and below the galley is the date in Roman numerals, M:CCCC:IX. The letters both in the initials above the galley and in the numeral inscription are of the Gothic form commonly used in the fifteenth century. On the reverse of the stock is a triplet of foliageous scroll work. Bands of interlaced work encircle the ends of the forked part, which are bound with brass ferrules. The lower joint of one of the drones is ornamented with a band of interlaced work in the centre. The corresponding joint of the other drone is not original. The upper joints of the drones are ornamented at both extremities with interlaced work and the finger holes, seven in number, are greatly worn. The nail heads placed round the lower part of the bell of the chanter are decorated with engraved ornament. The bag and blowpipe are modern.”
It should be added that very little is known of the story of this old bagpipe, and the date carved on the stock is all that justifies us in attributing it to the fifteenth century. Also that its claims to antiquity are disputed by an instrument in the possession of the Duke of Sutherland, which is said to have been played at the battle of Sheriffmuir.
A.D. 1411.—We have the statement of Rev. James Mac Kenzie that at the Battle of Harlaw the Highland host came down “with pibrochs deafening to hear.” Mr. Mac Kenzie, however, wrote at quite a recent date, and it would be interesting to know his authority. We do know, of course, that what is now a pipe tune was played at Harlaw, but that in itself proves nothing, since the earliest known copy of the music is not arranged for the pipes.
A.D. 1419.—An inventory of the instruments in St. James’s Palace, made in 1419, specifies “four bagpipes with pipes of ivorie,” and another “baggepipe with pipes of ivorie, the bagge covered with purple vellat.”
A.D. 1430.—From this time on till the Reformation the bagpipe was fairly popular in the Lowlands of Scotland, and it is most likely that its use became general in the Highlands about 1500.