92. Knives and lances of the best prehistoric work

Before leaving the stone-working we may note the accuracy of work, as this is better seen here than in any other subject. The highest pitch of accuracy on a large scale was reached under Khufu in the IVth dynasty; his pyramid had an error of less than ·6 of an inch on its side of 9069 inches, or 1 in 15,000; and its corners were square to 12″. A change of temperature during a day would make larger errors than this in a measuring-rod. The accuracy of levelling, and of finish of the stones, is on a par with this; joints over six feet long are straight to a hundredth of an inch. The pyramid of Khafra has three times this error, varying 1·5 inch on 8475, and 33″ of angle. That of Menkaura is worse, being on an average 3 inches out on 4154, and 1′ 50″ of angle. At Dahshur the errors are 3·7 on 7459 inches base, and 1·1 on 2065, with angular errors of 4′ and 10′. In smaller work, a beautiful example is the granite sarcophagus of Senusert II, which is ground flat on the sides with a matt face like ground glass, and only has about a two-hundredth of an inch error of flatness and parallelism of the sides. The later ages, so far as we know, have left nothing that can be compared with the accuracy of the early dynasties.


CHAPTER VIII
JEWELLERY

Native gold is, in all countries, one of the earliest materials for manufactured ornaments, and it appears to have been much used in prehistoric Egypt. Though gold is not now sought in or near Egypt, we must remember that it is found in the stream deposits of most countries, and its absence from the Mediterranean lands now is only due to the ancient workers having exhausted the supply. The immediate sources of the metal were in Nubia and Asia Minor. The Asiatic gold was certainly used in the first dynasty, as it is marked by having a variable amount of silver alloy, about a sixth; but looking at the African influence on Egypt it is probable that Nubia was the first source, though whether gold (nūb) was called from the country (nūb), or the reverse, is uncertain.

So general was the use of gold for necklaces, that the picture of a collar of beads became the hieroglyph for gold. Strings of minute gold beads were worn on the ankles in prehistoric times (8000-5000 B.C.). Larger beads were economically made by beating out a thin tube, and then drawing down the ends over a core of limestone. A thin gold finger ring has been found, and a flat pendant with punched dots. But most of the prehistoric gold is seen on the lips of stone vases, overlaying the handles of vases, and forming the wire loops for carrying them. Similarly it was used for covering the handles of flint knives; a sheet of gold was fitted over the flint, embossed with figures of women, animals, twisted snakes, a boat, etc. But the use of thin gold leaf which adheres to its base, is not found until the pyramid times. At the close of the prehistoric period we meet with a gold cylinder seal engraved with signs. When we remember that it is very rarely that an unplundered grave is discovered, the quantity of gold objects found show that the metal must have been generally used in the ages when commerce developed, before writing was known.

On reaching the historic times we obtain a good view of the production and variety of jewellery, in the four bracelets of the Queen of Zer, early in the first dynasty, 5400 B.C. These bracelets ([fig. 93]) show how each separate piece was made to fit its own place in a complete design, and that the later custom of merely stringing ready-made beads was not then followed.

The bracelet of hawks has the gold blocks alternating with turquoise. The hawks on the gold pieces are all equal, but the sizes of the blocks vary in the height. This is due to their being all cast in the same mould, which was filled to varying amounts. The surfaces were hammered and chiselled, but not either ground or filed. The order of the hawks was marked by numbering them with cross cuts on the base; these cuts are directly across for the blocks on one half, and diagonally across for the other half.