On Bergan's return, the scene was described to him by Doctor Remy, with a minuteness and accuracy of detail and coloring that did great credit to that gentleman's powers both of observation and description. Nevertheless, there was something of cynicism, or of satire, that grated on his listener's ear; and he finally stopped the doctor's flow of eloquence with the question,—
"Who is Astra Lyte?"
The doctor looked at him, with much surprise. "Is it possible that you have not yet heard of her?" he asked. "She is Mrs. Lyte's eldest daughter; and a genius, too,—or, at least, an artist;—they are not always synonymous terms, I believe. But where have you been living, not to have become acquainted with her name before this? It is always on Mrs. Lyte's lips; at least, she is ready to talk of her by the hour, with a little encouragement."
"My conversations with Mrs. Lyte have not been many nor long," replied Bergan. "An artist, did you say?"
But Doctor Remy had fallen into a fit of thought. He merely answered the question by a nod; and very shortly, he left Bergan to his own reflections.
V.
UNDER THE OAKS.
Not many weeks after the preceding incidents, Bergan went out, early one afternoon, for a long, solitary ramble. It was not his wont to leave his office before dusk, but his head ached with study, and his heart with loneliness and discouragement; an intolerable weariness and irksomeness had taken possession of him; his book seemed meaningless, and his brain paralyzed; there was nothing for it but to turn from the world of thought, that had suddenly grown so insufferably arid and dead, to the living, breathing world of nature. Forest, and field, and wave, if they could not give him intelligent sympathy, could at least furnish him gentle distraction.
And, oftentimes, there was a subtile harmony, almost amounting to sympathy, between his lonely moods, and the soft, rich, yet melancholy, Southern landscape,—for melancholy it always seemed to him, though that effect may have been partly owing to the gray medium of isolation and depression through which he viewed it. But, whatever its origin, this gentle mournfulness was the landscape's consummate charm,—at least, for any burdened human heart. It is possible that Eden wore a soft grace of pensive beauty, after the fall, which Adam and Eve, wandering back thither, would have counted a dearer delight, in their then mood, than its old, unshadowed brightness.
On his way out, Bergan found Nix stretched at full length across the threshold. With the usual preference of his race for masculine over feminine society, the dog had early attached himself to the young man, as much as was consistent with a different ownership. He now rose, shook himself, wagged his tail, and looked wistfully in Bergan's face. Meeting with no rebuff, he made bold to follow him.