Some collateral advantages may be fairly anticipated in cases where the back-yard is fully enclosed by the canvas.
In the first place, the air coming into the house from the back will be more or less filtered from the grimy irritant particles with which our London atmosphere is loaded, besides obtaining the oxygen given off by the growing plants, and the ozone which recent investigations have shown to be produced where aromatic plants—such as kitchen herbs—are growing. Lavender, which is very hardy, and spreads spontaneously, might be grown for this purpose.
Back-doors might be left open for ventilation, without danger of intrusion or of slamming by gusts of wind. The air thus admitted would be tempered both in summer and winter. By wetting the canvas, which may easily be done by means of a small garden engine, or hand syringe, the exceptionally hot summer days that are so severely felt in London might be moderated to a considerable extent. The air under the canvas being cooler than that in front would enter from below, while the warmer air would be pushed upwards and outwards to the front.
Although such conservatories may be erected, as already stated, by artisans or other tenants of small houses, I do not advocate dependence on this; but, on the contrary, regard them as more properly constituting landlord’s fixtures, and recommend their erection by owners of small house property in London and other large towns. A workman who will pay a trifle extra for such a garden, is likely to be a better and more permanent tenant than one who is content with the slovenly squallor of ordinary back premises.
I base this opinion on some experience of holding small houses in the outskirts of Birmingham (Talbot Street, Winson Green.) These have small gardens, while most of those around have none. They are held by weekly tenure, and, during eighteen years, I have not lost a week’s rent from voids; the men who would otherwise shift their dwelling when they change workshops, prefer to remain and walk some distance rather than lose their little garden crops; and when obliged to leave, have usually found me another tenant, a friend who has paid them a small tenant-right premium for what is left in the garden, or for the privilege of getting a house with such a garden.
A small garden is one of the best rivals to the fascinations of the tap-room; the strongest argument in favor of my canvas conservatories, and that which I reserve as the last, is that they are likely to become the poor man’s drawing-room, where he may spend his summer evenings, smoke his pipe, contemplate his growing plants, and show them in rivalry to his friends, rather than slink away from an unattractive home to seek the sensual excitements that ruin so many of our industrious fellow-countrymen.
As above stated, I have not been able practically to test the filtering capabilities of the canvas, owing to my residence out of town, but since the above was written, i.e., on last Wednesday evening, I visited the Houses of Parliament, where, as I had been told, the ventilation arrangements include some devices for filtering the air by cotton, wool or otherwise.
I was much interested on finding that the long experience and many trials of Dr. Percy and his assistant engineer, Mr. Prim, have resulted in the selection of the identical material which I have chosen, and with which the above-described experiments have been made. A wall of such canvas surrounds a lower region of the Houses, and all the air that is destined to have the privilege of being breathed by British legislators is passed through this vertical screen, for the purpose of separating from it the sooty impurities that constitute the special abomination of our metropolitan atmosphere, and that of our great manufacturing towns. The quantity of sooty matter thus arrested is shown by the fact that it is found necessary to take the screens down once a week and wash them, the wash water coming away in a semi-inky condition.
I anticipate that the conservatory filters will rapidly clog, and, therefore, require washing. This may easily be done by means of a jet from a hand-syringe directed from within outwards, especially if the slope of the roof is considerable, which is to be recommended. The filtering screen of the Houses of Parliament is made by sewing the canvas edges together, to form a large continuous area, then edging the borders of this with tape, and stretching it bodily on to a stout frame. This method may be found preferable to that which I proposed above, and cheaper than I have estimated, as only very light intermediate cross-pieces would thus be required, merely to prevent bagging, the parliamentary quartering above described being nine feet apart instead of three. This would reduce the cost of timber to about one half of the above estimate.[34] The perpendicular walls of a conservatory, where such are required, may certainly be made thus, and I think the roof also, if the slope is considerable. Or, if in demand, the material may be made of greater width than the three feet.
So far, I have only mentioned back-yards; but, besides these, there are many very melancholy front areas, called “gardens,” attached to good houses in some of the once suburban, but now internal regions of London, where the houses stand some distance back from the formerly rural highway. These spaces might be cheaply enclosed with canvas, and cultivated as kitchen gardens, orchard houses, flower gardens, or ferneries, thus forming elegant, refreshing, and profitable vestibules between the highway and the house-door, and also serve as luxurious summer drawing-rooms. The only objection I foresee to these bright enclosures will be their tendency to encourage the consumption of tobacco.