He played Nocturne No. 2, Prelude No. 20, a Mazurka and two Etudes of Chopin and Schubert's Impromptu No. 4.
At the close we all crowded around the platform and gave the queer, old-world gentleman an ovation, one man thrusting up his hand which Pachmann generously shook as desired.
As an encore he gave us a Valse—"Valse, Valse," he exclaimed ecstatically, jumping up and down in his seat in time to the music. It was a truly remarkable sight: on his right the clamorous crowd around the platform; on his left the seat holders of the Orchestra Stalls, while at the piano bobbed this grubby little fat man playing divine Chopin divinely well, at the same time rising and falling in his seat, turning a beaming countenance first to the right and then to the left, crying, "Valse, Valse." He is as entertaining as a tumbler at a variety hall.
As soon as he had finished, we clapped and rattled for more, Pachmann meanwhile standing surrounded by his idolaters in affected despair at ever being able to satisfy us. Presently he walked off and a scuffle was half visible behind the scenes between him and his agent who sent him in once more.
The applause was wonderful. As soon as he began again it ceased on the instant, and as soon as he left off it started again immediately—nothing boisterous or rapturous but a steady, determined thunder of applause that came regularly and evenly like the roar from some machine.
May 20.
Spent a quiet day. Sat at my escritoire in the Studio this morning writing an Essay, with a large 4-fold window on my left, looking on to woods and fields, with Linnets, Greenfinches, Cuckoos calling. This afternoon while E—— rested awhile I sat on the veranda in the sun and read Antony and Cleopatra.... Yes, I'm in harbour at last. I'd be the last to deny it but I cannot believe it will last. It's too good to last and it's all too good to be even true. E—— is too good to be true, the home is too good to be true, and this quiet restful existence is too wonderful to last in the middle of a great war. It's just a little deceitful April sunshine, that's all....[1]
Had tea at the ——. A brilliant summer's evening. Afterwards, we wandered into the garden and shrubbery and sat about on the turf of the lawn, chatting and smoking. Mr. —— played with a rogue of a white Tomcat called Chatham, and E—— talked about our neighbour, "Shamble legs," about garden topics, etc. Then I strolled into the drawing-room where Cynthia was playing Chopin on a grand piano. Is it not all perfectly lovely?
How delicious to be silent, lolling on the Chesterfield, gazing abstractedly thro' the lattice window and listening to the lulling charities of Nocturne No. 2, Op. 37! The melody in the latter part of this nocturne took me back at once to a cloudless day in an open boat in the Bay of Combemartin, with oars up and the water quietly and regularly lapping the gunwales as we rose and fell. A state of the most profound calm and happiness took possession of me.
June 2.