I
Our study is concerned with the “sacred” dance; that this epithet applied to the dance, at any rate during the earlier phases of its history and as still practised among many uncultured and even some semi-cultured peoples to-day, is more than justified, the following pages will, it is hoped, show.
Its extreme importance in the eyes of early man, who regarded it as indispensable at all the crises of life—initiation, puberty, marriage, burial—who used it as one of the essentials in worship, who saw in it a means of propitiating whatever supernatural powers he believed in, a means of communion with the deity, a means of obtaining good crops, fruitful marriages, and of communicating with the departed—to mention only its more important uses, shows that it is a subject worth investigating though the domain it occupies is but a modest one in the great sphere of the history of Religion.
Probably one of the most instructive first-hand pieces of information which we have on the subject is contained in the answers given to Chalmers in reply to questions which he addressed to some natives of New Guinea. He asked “What does the dance signify?” and he got two replies from the natives of the two most important districts of this big island respectively; the first ran thus:
When they dance all the spirits rejoice, as do all the people. When dancing, all food grows well; but when not dancing, food grows badly. No drums are beaten uselessly [the drum-beating is the invariable accompaniment to dancing, one implies the other]. When anyone dies drums are beaten to comfort friends.
The second was this:
Drum-beating and dancing are a sign of rejoicing and thanksgiving, in order that by so doing there may be a large harvest. If the dancing is not given there will be an end to the good growth; but if it is continued, all will go well. People come in from other villages and will dance all night. There will be several feasts during the time, and each leader of the dance will pray and thank the spirits for the good harvest.
Among other questions he also asked: “Is there any useless dancing?” and the two replies were: “No, the drum is never beaten uselessly”; and: “Dances are never merely useless[1].”
The study of the subject brings out without a shadow of doubt that these answers illustrate what were, and still are to a great extent, the beliefs held in regard to the sacred dance by numbers of peoples in an undeveloped stage of culture. It is a good illustration of what, within a circumscribed area, holds good of the wider study of religions in general, that, as Farnell has so well put it,