The path to the place of mourning I desire not for myself...[355].
Although other instances among the Arabs exist, they are not numerous. But as to other Semitic peoples we have been unable to discover examples.
On the other hand, there is a considerable amount of evidence regarding its existence among the Egyptians, both ancient and modern. In respect of the former this occurs mainly on inscriptions, so that it is graphic as well as informing. On one of these there is a representation of the ceremony of mourning in the chamber of the dead; harp-players, singers, and dancers appear as taking part in the ceremonies[356].
“The sculptures and paintings of the xviii-xx dynasties,” says Flinders Petrie[357], “show many scenes of funeral dances; usually one woman held a tambourine aloft and beat out a rhythm on it, while others danced round. Exactly this dance may be seen now when parties of women go up to the cemeteries a fortnight or a month after a funeral; an old negress is often the drummer, and the party stop every few hundred yards along the road for a dance.”
At the “Feast of Eternity” dancing always took place in honour of the dead; dancing men headed the procession in which the statue of the departed was borne. The step was rhythmic and slow, the arms being raised over the head during the dancing and the inside of the hands being turned upwards. Another position was that of stretching the right arm slantingwise upwards while the left arm was placed on the back. Behind the men three or four women follow, singing[358].
In an inscription on a tomb at Benihassan there is a representation of dances at the funeral festival of the monarch Chnomhôtep, of the period of the twelfth dynasty; the dancing is performed by women very slightly clad. Funeral processions were always accompanied by women dancing and singing[359]. In a grave near the royal tombs of Abydos, belonging to the first dynasty (before 5000 B.C.) Flinders Petrie found a curved wand, ending in a ram’s horn, used for beating time in dancing[360]. There can be little doubt that this was used during the performance of the funeral dance.
As already pointed out, this rite is still to be seen among the modern Egyptians. Lane gives the following interesting description of it:
It is customary among the peasants of Upper Egypt for the female relations and friends of a person deceased to meet together by his house on each of the first three days after the funeral, and there to perform a lamentation and a strange kind of dance. They daub their faces and bosoms, and part of their dress, with mud; and tie a rope-girdle, generally made of the coarse grass called “halfa,” round the waist[361]. Each flourishes in her hand a palm-stick, or a nebboot (a long staff), or a spear, or a drawn sword, and dances with a slow movement, and in an irregular manner, generally pacing about, and raising and depressing the body. This dance is continued for an hour or more, and is performed twice or three times in the course of the day. After the third day the women visit the tomb, and place upon it their rope-girdles; and usually a lamb, or a goat, is slain there, as an expiatory sacrifice, and a feast is made on this occasion[362].