The rite is in vogue among the Arabs to this day who dance in circles on their way to the place of mourning; it is performed by women and young girls.
Much evidence is forthcoming as to its practice among the Egyptians, both ancient and modern, of which various examples are given above.
Among the Greeks and Romans dancing as a mourning or burial rite was included in funeral processions and funeral games; one of the most curious customs being that of the presence of the imagines maiorum, or images of ancestors, in the Roman funeral processions of the nobility, who were thus believed to follow the dead body of their descendant to the grave. That a meeting between the recently deceased and his ancestors was believed to take place in the tomb we may well conceive; it would be precisely parallel to the Israelite belief expressed by the phrase of being gathered to one’s fathers[394]. It was, however, during the funeral feast that dancing, in the more literal sense of the word, figured most prominently.
The sacred dance as a mourning or as a burial rite among uncivilized peoples plays an important part. Among them the objects of the rite are not only various, but contradictory; chief among these is, however, that of giving honour to the departed. A few examples, of very many, have been considered. They are taken from peoples in lands as widely spread as India, North America, South America, Central America, Australia, New Zealand, New Guinea, Guiana, the Indian archipelago, and the Torres Straits; and it would be easy to offer further instances from many other countries.
Taking these as a whole, they point indubitably to the fact that this rite was, and is, usually performed as an act of honour to the deceased. This represents, we believe, its final development, so far as intention is concerned; there are cases of its continuance in which probably no purpose could be assigned for its performance other than that of traditional use. From this point of view we shall not be far wrong in regarding the rite as a remnant of ancestor-worship; the Roman custom of carrying the imagines maiorum in the funeral procession is clear evidence of this. The other purposes for which it was performed betray a far less developed outlook; and the fact that they exist side by side with that of the more rational object of honouring the dead offers but another illustration of a world-wide phenomenon, to be observed even among the most civilized peoples, viz. that more or less primitive ideas can be held on some things in conjunction with advanced thought on others.
By personating the deceased in the mourning dance it is believed by some that he can be induced to return to his friends and dance with them, greatly to the comfort of the relatives. The idea is about on a level with the Roman belief in the presence of a man’s ancestors, when their images are carried in the funeral procession. But the same rite can, among others, have the purpose of protecting the survivors from the spirit of the deceased; he is sometimes supposed to be annoyed at having been forcibly taken away from his familiar haunts, and lest he should vent his angry feelings on his relatives, they either dance to scare him away, or else propitiate him by various means. Another purpose of the rite is for the survivors to protect both themselves and their departed friend from the malice of other departed spirits who are believed to congregate in the vicinity of a corpse; in this case the dance is accompanied by sundry noises.
A variation of this is the dance round the corpse, whether by way of perambulation or dancing in the more literal sense. The magic circle thus formed keeps away unwelcome spirit-visitors. But this may have another purpose; it may possibly be a means of “keeping in” the spirit of the deceased, and thus preventing him from getting abroad and doing mischief. When the dance is performed round slain enemies the object of it seems to be that of propitiation.
If it be asked which of these purposes may be supposed to have been that for which the Israelites performed this rite, we imagine the reply would be: any or all of them, according to the stage of culture in which they found themselves. Two of them: that of honouring the dead, and that of forming the magic circle round the corpse (probably for keeping it safe), can be vouched for.
FOOTNOTES
[1] Pioneering in New Guinea, pp. 181 f. (1887); see further, J. E. Harrison, Ancient Art and Ritual, pp. 31 ff. (1913).