“Make it a dozen. We offer thirteen for the price of twelve.”
“What would that number run me into? I want them more for public speaking than anything else.”
“We shall do the whole bag of tricks for you,” said the Professor, placing an enormous hand on Erb’s shoulder, “for a mere trifle.”
“Who is ‘we?’”
“Rather should you say, ‘To whom is it that you refer?’ In this self-appointed task of imparting the principles of voice production and elocution to the—to the masses,” the Professor seemed to restrain himself forcibly from using a contumelious adjective, “I have the advantage of valuable assistance from my daughter. Her system is my system, her methods are my methods, her rules are my rules. If at any time I should be called away on professional business,” here the Professor passed his hand over his lip, “my daughter, Rosalind, takes my place. What is your age?”
Erb gave the information.
“Ah,” the Professor sighed deeply, “in ’74 I was with Barry Sullivan doing the principal towns in a repertoire. No, I’m telling you a lie. It was not in ’74. It was in the autumn of ’73. I played Rosencrantz and the First Grave-digger—an enormous success.”
“Which?”
“I went from Barry Sullivan to join the ‘Murderous Moment’ Company, and that,” said the Professor, striking his waistcoat, “was perhaps one of the biggest triumphs ever witnessed on the dramatic stage. From that hour, sir, from that hour I never looked back.”
The high-voiced pupil in the front room finished his lesson, and his wife took him off with the congratulatory remark that he promised well to make her relatives at forthcoming parties sit up with astonishment. The Professor’s daughter, seeing them both to the front door, remarked that her pupil would be able to find his way alone the next time, whereupon the pupil’s wife answered darkly, “Do you really think I should let him go out?”