"Your son," wrote the Ambassador, "begins as an honest man; he is a little abashed, but we have given him courage, and M. d'Irval (of the Embassy) has so well seconded him that he has at last"—after a month in London—"made his declaration. It has been very well received by one of the finest girls in England—Miss Jennings, of the household of the Duchess of York. She is small, but with a fine figure, a splendid complexion, the hair such as you remember Madame de Longueville's was, brilliant, keen eyes, and the whitest, smoothest skin I ever saw."
The "forming" of the gauche, shy Berni proceeded apace. Under the influence of the Lovely Jennings he displayed "more ease in conversation, and greater care of his person, and less shyness in society. He arranges to see her every day, and sends her strawberries every evening." As to these graceful practices he added that of following the Duchess of York wherever she went in order to catch a glimpse of her lovely maid of honour, it was soon evident to the whole Court that he was madly in love, and Miss Jennings began to picture herself as a French marquise with a tabouret at Versailles. Whereupon Courtin became alarmed, for marriage was not in the Lionne programme, especially with a paltry Miss Jennings. He tried to impress M. le Marquis with a sense of the fitness of things, and that even an attaché of an Embassy had certain lesser duties to perform besides the supreme one of love-making. M. le Marquis was ordered to draft a despatch. He began, but could never finish it. How could he with the Lovely Jennings ever in his thoughts? Courtin then thought the time had come to send him back to France. "We have sometimes to contend with his timidity," he wrote the anxious father, "and sometimes with his presumption; very often with his sloth, but above all with his vanity, which is fed by all the honours paid to him. I think you would do well to destine him for the Bar!"
Lionne, on receipt of this, promptly and angrily ordered his son to return home, and M. le Marquis went off after three months in England, faithful to the last. "He will be greatly regretted at this Court," wrote Courtin, trying to appease Lionne's anger, "being, as he is, appreciated by the King and Queen and dearly loved by the prettiest young lady in England. Thursday evening the King, in my presence, very much teased Miss Jennings on the subject of your son; the young girl reddened; she never appeared more beautiful. His Majesty told me that your son had asked M. Porter to let him know how she looked on the day he was gone; and at the same time his Majesty assured me that he had never seen such a picture of sadness and desolation as the young gallant offered when on board the yacht of the Queen Mother. He was right, I can tell you, for the young lady loved him dearly." Thus ended Miss Jennings's first romance.
Life, however, was to have others in store for her, and the Frenchman had not long departed when all thoughts of him—the tenderness of which we are inclined to attribute to Courtin's imagination rather than to Miss Jennings's heart—were obliterated by the arrival of a dazzling Irishman. "Dick" Talbot, as he was called, was about twenty years older than the lovely Jennings, and not far off forty when he first met her. Already his life contained, in romance and adventure, sufficient material to equip an incipient Dumas for a literary career. He was a sort of living serial with many a thrilling chapter yet to run before the finish. As he was destined to be the means by which the prophecy of the imaginary Wicked Fairy at Miss Jennings's christening was fulfilled, an epitome of Dick Talbot's romantic past is necessary before describing its still more romantic sequel. His family had been settled for centuries in Ireland—since its conquest by Henry II. Time, the great assimilator, had made them Celts to the core, and "Dick," the last of five sons of a younger branch, was the Irishman par excellence. He was a soldier from necessity and an adventurer from inclination. His birth and poverty made him the former, and the times in which he lived the latter. He was only a boy when Ireland rose against Cromwell, but he enlisted and served, if not with distinction, at least with the characteristic Irish intrepidity. During the bloody defence of Drogheda he was wounded and left for dead on the battlefield, but was succoured by one of Cromwell's officers, who being charged with the burial of the dead noticed signs of returning consciousness in the corpse. On his recovery he managed to escape from his prison disguised as a woman, and joining a relation, under whom he had served, followed him to Spain, whence, possibly as a volunteer in the Spanish army, he made his way to Flanders. Here he found many Royalist fugitives, among whom was his brother Peter, afterwards the Archbishop of Dublin, who introduced him to the Duke of York.
One may easily picture the temper of the exiled Cavaliers. As it is natural, if immoral, that the vanquished should hate their conquerors, it is not at all surprising or, to our mind, shocking that the Duke of York should have wished to have Cromwell assassinated, or that others should have conspired to this end, or that young Dick Talbot should have offered his services for the purpose. Much ignominy has been heaped on Talbot for the ready willingness with which he lent himself to this assassination scheme. But while we personally by no means advocate assassination, we confess we are unable to understand the reasoning that makes the thought of assassinating Cromwell so much more horrible than that of assassinating any other tyrant. When the People, of whom so much insincerity is talked and written, make tyranny impossible there will be no question as to the crime or virtue of assassination.
Young Talbot was sent to England on his terrible errand, where he was arrested, and examined by Cromwell himself at Whitehall. While detained in the palace to await the decision as to his fate, he made the Puritan servants drunk, and, slipping from a window into the Thames, hid on a ship in the river. Rumour had it that, being in reality a spy in his pay, Cromwell had aided him to escape. As Dick Talbot was an expert duellist, and "ready to fight on the smallest provocation or none at all," it is easy to guess how such a calumny, which he denied with oaths, got its quietus. Among the spadassins who composed the Duke of York's regiment, of which, after the above adventure, he got the command in spite of great opposition, Talbot's sword, so quick to fly from its scabbard, gained him the discipline due to fear. With the Duke of York he was always a great favourite, and at the Restoration followed him to England as his gentleman of the bedchamber. None of the Cavaliers were more fortunate, for he had left his country a poor, insignificant lad, and returned at thirty possessed of royal favour which he knew well how to turn to his advantage.
If, as has been wittily said, William of Orange is the hero of the historical romance known as Macaulay's "History of England," the villain is unquestionably Dick Talbot. In those false, fascinating pages he is a consummate scoundrel, "a mere cringing courtier and a pimp." To refute the malevolent prejudices of Macaulay is easy, and he has been exposed over and over again. We know now that his brilliantly arresting portrait of Talbot was no more like him than was the Great Frederick to an equally haunting portrait by the same master. The Talbot of Macaulay's "History" is, as Jusserand says, a caricature. Perhaps, without placing any more confidence in Hamilton—who drew a very flattering picture of him—than in Macaulay, a certain little-known portrait by the Duke of Berwick comes nearest the truth. It utterly refutes the imputation that he lent himself to the scheme to take away the character of the Duchess of York in order that the Duke, who was tired of her, might divorce her. Likewise the charge that he used his influence to enrich himself at the expense of his fellow-countrymen, whose confiscated estates he got returned to them after deducting his commission, falls to the ground. His fellow-countrymen, whose popular representative he was at Whitehall, willingly gave him money for the purpose. "Though he had acquired great possessions," wrote the Duke of Berwick, "it could not be said that he had employed improper means."
But enough of historical recriminations over this almost forgotten man. Hero or villain, he was when Frances Jennings first beheld him one of the tallest and handsomest men in England. Macaulay at least did justice to his looks when he spoke of "that form which had once been the model for statuaries." With his striking appearance and fascinating manners were combined reckless courage, an emotional, passionate temperament, and the Irishman's ready wit. There is an anecdote of the latter which, as an example of thrust and parry in double entente, is hardly to be matched. Once Louis XIV., struck with the handsome Irishman's likeness to himself, on which many had remarked, asked him with a subtle insolence if his mother had not been at the Court of the late King (Louis' father).
"Non, Sire," was Dick Talbot's instant reply; "mais mon père y était."
A man, one would say, with a wit as quick and dangerous as his sword, for which he was noted.