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This "affaire" may be described as the historical parent of a numerous family of the purest French breed, of which some of the more familiar descendants are the Diamond Necklace, the Panama, the Dreyfus. Complexity of intrigue was to each what the "Austrian lip" is to the Hapsburgs—a family characteristic. Those who wish a graphic account of the story should read Dumas' "Vicomte de Bragelonne." We can do no more here than give a rough sketch of it.
Like all of the Gramonts, Armand de Guiche was an original character. His family, with the exception of the famous Chevalier, who, afterwards returned to favour, stood high at Court. His father, the Maréchal—Maréchal Lampon they called him in Paris, from the number of lampoons his doings had inspired—was held in great esteem by Louis, who forgave him his private life for the sake of his public worth. His sister, the flighty Princess of Monaco, of whom there are many curious stories in the memoirs of the period, was loved by Monsieur as much as he could ever love any one, and an intimate friend of Madame as well; as was also his aunt, the Marquise de Saint-Chaumont, who was afterwards governess to her children. He himself had passed all his life at Court, where till the infamous Chevalier de Lorraine came on the scene he was the bosom-friend of Monsieur.
Fortune had been particularly kind to him. He possessed everything necessary to make him a general favourite: birth, wealth, good looks, winning manners. The consciousness, however, of these great advantages, says Madame de La Fayette, "gave him a certain scornful air that tarnished his merit not a little, yet one must own no one at Court had so much of it as he." The temperament of this hero was no less romantic than his appearance. His brain teemed with the most chivalrous and erotic ideas; he longed for a grande passion, but it must not be one of your commonplace, vulgar sort. He wanted a Guinevere to play Launcelot to, a Francesca to whom he might be the Paolo. And they married him when little more than a boy, much against his will, to an honest, prosaic girl. The marriage was, of course, unhappy—for the Comtesse de Guiche. She would have given half of her life to have been loved by him, but marriage had only served to make him long more than ever for the realisation of his extravagant, impossible ideal. Now and then he fancied for a moment he had found what he sought; one of these brief illusions was a girl who afterwards became the famous Princesse des Ursins.
He was still seeking the unattainable when Madame returned from London and fascinated the Court. The high-flown imagination of the Comte de Guiche was at once inflamed. It pleased him to think that the danger of lifting his eyes to one so far removed from him added to the glory of such a passion. But Guiche's head was not yet so cracked that all sense had left it. Having learnt from the example of his uncle, the Chevalier de Gramont, how unwise it was to excite the jealousy of Louis in an affair of the heart, he prudently waited till the King had left the field before he entered it. But when his chance arrived he behaved in the most singular manner. Although they were thrown constantly together both at Fontainebleau and the Tuileries, Madame was as unaware of his infatuation as Dulcinea del Toboso of Don Quixote's. The Comte de Guiche, however, had no intention of concealing his passion from the rest of the world. The jealousy of Monsieur was aroused—the jealousy of a slighted husband and a slighted friend. He and Guiche quarrelled, and the latter "broke with the prince of the blood as if he were his equal."
The "bruit," as it was called, that this quarrel occasioned was the first intimation that Madame received of the devotion of her quixotic admirer. As she was not interested in the Comte de Guiche, who had now withdrawn from Court, the affair would have ended here but for Mademoiselle de Montalais, one of her maids of honour.
This girl was an intrigante of a type that abounded at the French Court throughout the ancien régime. Her object was to insinuate herself, so to speak, into fortune, by making herself useful to some great person. She sought an interview with the Comte de Guiche, and gained his confidence by assuring him that she would win him the favour of Madame. The means she employed did not at first meet with the slightest success. Madame refused to read the letters Guiche sent her through the maid of honour, or to hold any communication with him. But Montalais was not disheartened. By dint of continually harping to her mistress on the subject of the Count she succeeded in creating a certain impression on her mind; and one day, just as Madame was leaving Fontainebleau for Paris, Montalais with a mischievous air flung into her coach all Guiche's unopened letters. As the journey was tedious and Madame had nothing better to do she read the billets. The originality of their style, which was so obscure as to suggest that the writer had no idea what he meant, amused her. The whim seized her to reply—and the flirtation began.
As her heart was not involved in the flirtation, her interest in her curious lover would no doubt speedily have waned. But love of excitement, the natural gaiety of her disposition, and the life she led with Monsieur, whose jealousy might more accurately be described as a malicious espionage, inclined Madame to coquetry. Moreover, the unexpected end to her flirtation with the King had created a sort of blank in her life; she was easily ennuyée, and when in this mood, like the Duchesse de Longueville, the pleasures she sighed for were not innocent. Her jaded gaiety required a fresh stimulant, and this the flirtation with Guiche gave her. The sense of the danger they both ran from detection pleased her as a child is pleased in playing with fire. Letters passed between them every day, four of Guiche's to Madame's one. One day Guiche disguised himself as an old woman and, aided by Montalais, visited his mistress. The skill with which he evaded recognition by Madame's ladies while he told them their fortunes would have done credit to a Rochester. But success may sometimes invite disaster.
Montalais, believing that with persons of such consequence she was pulling the strings of an intrigue that would govern the State, wished to give an air of importance to an affair in which she was interested. So, under the pledge of the strictest secrecy, she confided to La Vallière all that had passed between Guiche and Madame. Poor La Vallière, who had sworn never to hide anything from her royal lover, kept the secret till it endangered her own happiness. For Louis, talking one day to his mistress about Madame, noticed that she became confused, whereupon he instantly suspected that something important was being hidden from him. As the unfortunate girl, whom he had seduced and was later to abandon heartlessly, could not deny that she had a secret from him and, owing to her promise to Montalais, would not betray it, the King left her in a passion, swearing never to see her again. But when twenty-four hours had elapsed and she neither saw nor heard from the man she loved as few kings have been loved, Mademoiselle de la Vallière lost her head and fled to a convent. Louis, however, was no sooner informed of her flight than he went after her; and at the sight of him the beautiful girl, whom the loss of her virtue and the loss of her lover had between them nearly driven mad, rushed to his arms and told him all she knew.