“In the sanctuary is likewise preserved the real chariot of Constantine and Helena, made of silver; there are gold plates, enriched with pearls and little jewels, and numerous others of silver, which are used for the services on Sundays and feast days: there is water also in the sanctuary coming out of a well by pipes.
“Outside the smaller sanctuary[181] is erected the ‘Crux Mensuralis,’ which shows the height of Christ when on earth; and behind that cross is buried Anna, who gave her house to S. Sophia, where now is the smaller sanctuary, and she is buried near. And near this same smaller sanctuary are the figures of the holy women and of the Virgin Mother holding Christ, and shedding tears which fall on the eyes of Christ. They give of the water of the sanctuary for the blessing of the world.
“In the same part is the chapel of S. Peter the Apostle, where S. Theophania is buried. She was the guardian of the keys of S. Sophia, which people used to kiss. There is also suspended the carpet of S. Nicholas. The iron chains of S. Peter are kept there in a gold chest; during the feast of ‘S. Peter’s Chains’ the emperor, the patriarch, and all the congregation kiss them [see [Fig. 8]]. Near by, in another chapel, is also shown the crystal of the ancient ambo, destroyed when the dome fell.
“By the side of [the images of] the holy women is the tomb of the son of S. Athenogenius.... There are no other tombs in S. Sophia except that, and a lamp hangs in front of it, which once fell, full of oil, without being broken. The place is inclosed by a wood screen, and the people are not allowed to enter.
“When one turns towards the gate one sees at the side the column of S. Gregory the Miracle-Worker, all covered with bronze plates. S. Gregory appeared near this column, and the people kiss it, and rub their breasts and shoulders against it to be cured of their pains; there is also the image of S. Gregory. On his feast day the patriarch brings his relics to this column. And there placed above a platform is a great figure of the Saviour in mosaic; it lacks the little finger of the right hand. When it was finished, the artist looked at it and said, ‘Lord, I have made thee as if alive.’ Then a voice coming from the picture said, ‘When hast thou seen me?’ The artist was struck dumb and died, and the finger was not finished, but was made in silver-gilt.
“Above the gate is depicted on a large panel the Emperor Leo the Wise, and in front of it is a precious stone, which illuminates S. Sophia at night-time. This same Emperor Leo took a certain writing from Babylon, which was found in the tomb of the prophet Daniel. It was copied, and on it were written the names of the Greek emperors. At the royal gate is a bronze romanistum[182] or bolt by which the door is closed. Men and women are brought to it, and if they have drunk serpent poison or any other poison, they cannot remove the bolt from the mouth, until all the evil of the disease has trickled away with the saliva.
“By the great altar on the left is the place where an angel of the Lord appeared to the boy who was guarding the workmen’s tools, and said, ‘I will not leave this spot as long as S. Sophia shall remain.’ Three figures are shown in this place, for the angels are painted there; and a multitude of people come there to pray to God. Not far from there is the place where they boil the holy oil, burning underneath it old ikons, whose features one can no longer trace. With this oil they anoint children at baptism. Above the sanctuary there rises in the air a great hollow vault covered with gold. In the sanctuary are eighty candelabra of silver for use on feast days, which occupy the first place, besides numberless silver candelabra with many golden apples.
“Above the great altar in the middle is hung the crown of the Emperor Constantine, set with precious stones and pearls. Below it is a golden cross, which overhangs a golden dove. The crowns of the other emperors are hung round the ciborium, which is entirely made of silver and gold. Thus the altar pillars and the sanctuary and the bema are built of gold and silver, ingeniously made, and very costly. From the same ciborium hang thirty smaller crowns, as a remembrance to Christians of the pieces of money of Judas. To the ciborium were attached curtains, which were formerly drawn by the bishops during the services. We asked why they did so, and they answered so that the priests should not see the women and the people, but should serve the supreme God with a pure heart and soul. Later the heretics,[183] when nobody could see them as they were behind the curtains, took the body and blood of Christ, and spat them out, and trampled on them. The Spirit warned the fathers of this heresy, and the fathers fixed the curtains to the columns of the ciborium, and set an archdeacon near the patriarch, metropolitan, or bishop, so that they should worship God holily without heresy.... When Jerusalem was taken by Titus many sacred vessels and curtains were brought to [New] Rome with the royal treasures and given to the church of S. Sophia. In S. Sophia also are preserved the tables of the Law, as well as the Ark and manna. The subdeacons, when they sing ‘Alleluia’ in the ambo, hold in their hands tablets like those of Moses. During the procession of the Holy Sacrament the eunuchs commence to sing, and then the subdeacons, and then a monk chants alone. Then many priests and deacons carry the Holy Sacrament in procession; at this time all the people not only below, but also in the galleries, weep in great humility. What then ought to be the fear and humility of the bishops, the priests, and the deacons in this holy service?
“How magnificent are the gold and silver chalices, garnished with precious stones and pearls! When the splendid chest, called Jerusalem, is brought out with the flabella, there rises amongst the people a great groaning and weeping.... But here is a wonderful miracle, which we saw in S. Sophia. Behind the altar of the larger sanctuary is a gold cross, higher than two men, set with precious stones and pearls. There hangs before it another gold cross a cubit and a half long, with three gold lamps, which hang from as many gold arms (the fourth is now lost). These lamps, the arms or branches, and the cross, were made by the great Emperor Justinian who built S. Sophia. By virtue of the Holy Spirit the small cross with the lamps ascended above the big cross, and again slowly came down again without going out. This miracle took place after matins, before the commencement of the mass: the priests who were in the sanctuary saw it, and all the people in the church who saw it cried with fear and joy, ‘God in His mercy has visited us.’ ... This great and wonderful miracle was wrought by God in the year 6708 [A.M.] on Sunday, May 21st, being the Commemoration of S. Constantine and his mother Helena, during the reign of the Emperor Alexius and the patriarchate of John. It was on the feast of the 318 fathers. Iverdiatinus Ostromitza was then living at Constantinople; he was an ambassador from the great Roman duke. Nedanus, Domagirus, Demetrius, and Novgaro were also there.
“At S. Sophia on the right near the sanctuary is a piece of red marble, on which they place a golden throne; on this throne the emperor is crowned. This place was surrounded by bronze closures to prevent people walking on it; but the people kiss it. At this place the Holy Virgin prayed to her Son, our Lord, on behalf of all Christians; a priest who was guarding the church at night saw her. On the same side is also the grand icon of S. Boris and S. Glebe, which artists copy. When officiating, the patriarch holds it high up in the tribune.