We have in England a great number of fine Roman inscriptions, and it would be an excellent piece of work to gather a selection into an example-book of illustrations based on corrected rubbings. Even the inscriptions of London carefully studied would be subject-matter for a delightful and valuable essay.
1. The finest London inscription is that on a tomb front in the British Museum (Fig. [120]). This must be a first-century work nearly contemporary with the famous inscription of the Trajan column. The letters are large, deep, clearly cut, and of quite perfect form. It is something of a puzzle that such an artist as the author of this tomb should have been working in London only a few years after the Claudian Conquest. The letters of this inscription are still wonderfully sharp; the thick strokes of the big letters are about an inch wide, and the “serifs” are light and free as the stroke of a pen. Notice especially the beautiful curve of S, the square touch at the apex of N and A, and the sharp little triangular division point after the second letter in the last line (Fig. [121]. See also Figs. [66] and [67]).
Fig. 120.
Fig. 121.
2. Another very fine inscription is on the tomb front of Valerius at Westminster Abbey. The letters are smaller, the stone is rather decayed on the surface, and it is not seen in a good light. The beauty of the lettering and spacing has consequently hardly been remarked. Here the lines are longer, and the letters seem to follow one another rhythmically, trippingly; it is an extraordinarily vivid and elegant piece of work, which, I think, should be dated in the second century A.D. The letters A M and N have cross touches at the apex of the angles, and the stops are little triangles as in the inscription before described. Here it can just be seen that lines were ruled (scored) on the stone as guides for ranging the letters (Figs. [a]119] and [a]122]).
Fig. 122.
3. In the London Museum is a small tablet of white marble, which has similar lines, lettering and stops, and must be nearly of the same age. I give in Fig. [a]123] a very rough sketch of this excellent little slab. I have felt some doubt as to whether this was a London antiquity indeed, but the many resemblances to other inscriptions have fully convinced me that it is.