avid Simons, of Boston, is deaf and dumb; he is also blind; likewise he is lame. Penniless he is, and houseless. Finally, he is black, which may or may not be considered a misfortune. No,—finally he was run over by a team and dreadfully bruised. Yet we suppose that John Simons still desires to live, for he consented to be carried to a hospital.—Deaf Mute Advance.
INTERNATIONAL EXHIBITION.
(From The Graphic, May, 1874.)
Messrs. Doulton and Co., who have done so well with stoneware, dignifying the simplest material by giving even to the most ordinary and cheapest articles shapes of real beauty, exhibit in Room 9 a most praiseworthy set of examples (3719) of very remarkable art and character, demonstrating principally possibilities of wall decoration. On the floor at the base of the division are some noble pieces of graphite stoneware contributed by Mr. Frank A. Butler, who is deaf and dumb.
A YOUNG GENIUS.
(From the Journal of the Society of Arts, May 1, 1874.)
Another artist who has made his mark on the ware by the originality of his forms is Frank A. Butler. He is quite deaf and almost dumb. He is one of many thus heavily afflicted who have passed through the school. He began his artistic life as a designer of stained glass, but his invention was not needed, nor, I dare say, discovered in the practice of an art which is almost traditional. I introduced him to the new work, and in a few months he brought out many new thoughts from the silent seclusion of his mind. A bold originality of treatment, and the gift of invention, are characteristic of his work. He has struck out many new paths. A certain massing together of floral forms, and ingenious treatment of discs, dots, and interlacing lines indicate his hand.