Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!—[2]
we know that he is made in the image of man. Unless a movement of retrogression sets in; unless we have to submit to a paralysis of moral stagnation, the day must inevitably come when the "Lord God of Hosts," "the Man of War," "the God of Victories," whom Spanish viceroys and captains are incessantly invoking in their proclamations, will be swept into oblivion with the curse of war which gave them birth. But that hour of retrogression and decay shall never sound for humanity. A nation here, a people there, may drop out of the ranks; the last remnant of empire may fall from their unworthy hands, but as I have faith in the eternal order, as I bow before the everlasting Power which makes for moral progress, I know that war has served its purpose amongst men, and that the day must come when it will be finally abolished as unworthy of rational beings. At any rate, the war-god is not he in whose image the perfected man was made, for—
This was what
Man in his violent youth begot.
This god was made in the image of man.
And as the mist of the phantom deity floats aside, there dawns a fairer vision of the veritably Divine presence on the reverent soul of the poet. No eye of man hath ever beheld him: it is a vision of the spirit. And as the language of souls is silent, he can say nothing of his God, though he is so conscious of his everlasting presence. If even his solemn speech, the voice of the poet, "far above music," could tell of his God, then would he be but the idealised image of himself. He may think, he does think far more deeply than the most adventurous theologian, but he may never speak. The mind must commune with itself.
The God I know of, I shall ne'er
Know, though he dwells exceeding nigh.
Raise thou the stone and find me there,
Cleave thou the wood and there am I,
Yea in my flesh his spirit doth flow,
Too near, too far for me to know.
I must confess this fills one with an immense reverence, a feeling of inexpressible awe. Yet, there is no fear associated with the emotion, but only a sense of unearthly peace which almost asks that the silence may be prolonged so that thought may have further scope. "Raise thou the stone . . . cleave thou the wood," and we are in the presence of the Everlasting; soul is face to face with the Soul of the world.
Yea, in my flesh his spirit doth flow,
Too near, too far for me to know.
Is this mysticism? I know not by what name to call it, except that to me it is a reality transcending any merely sensible experience one ever enjoys upon this earth. It is the kingdom of the Unseen; but only the unseen things are real and eternal, for they are the hidden springs of existence and life. Can one resist the melancholy, the sense of tears in things when we reflect that, like our own bodily frame, the whole visible world is hastening to dissolution? From the infinitesimal insect whose earthly career is rounded off in a few moments, hardly come before gone, to the longest-lived of living beings, to the oaks that stand beyond a thousand years, to the hills that seemed so enduring that the Hebrew poet called them "everlasting," to this earth, to planets away in the infinite azure, from the grain of sand to the totality of creations, from first to last, it is true that all is passing away.
Sunt lachrymae rerum et mentem mortalia tangunt.