"I say nought against her," she answered wearily; "t' dog's right enough, but she's bringin' nought in now."
She sat down, however, at my side, and Miss Terry proceeded to justify her name. She dressed herself in a queer little hobble-skirt costume, put on a hat and veil, raised a sunshade, and moved about the room in the most amusing way. She fetched a miniature bedstead, undressed and put herself to bed in a manner calculated to bring down the house every time. She removed the handkerchief (a very dirty one, by the way) from her master's pocket, sneezed, wiped her nose, and then replaced it without apparently arousing its owner's attention. She drank out of his glass, simulated intoxication, and fell into a seemingly drunken sleep, with much exaggerated snoring.
And all the time Roger Treffit stood or sat, as circumstances required, addressing the dog in the politest and most deferential terms, with the smug smile of satisfaction threatening to cut the chin entirely, from his face.
"Now, Miss Terry," he said in conclusion, "you must not overtire yourself. We are very grateful for the hentertainment you have pervided. Have the goodness to step up to the lady and say good-bye."
The dog extended a paw, and Martha and I were permitted to withdraw.
"It really is a very clever dog," I remarked, when we were alone in the prison-like bedroom.
"It's a very good dog, too," she replied; "it 'ud look after me more nor he would if he'd let it. It 'asn't a bit o' vice about it, an' I only wish I could say as much for its master."
"Why are you sitting up here in this wretched loft, where the light is so poor for such fine work?"
"To be out of his way, an' that's the truth," she replied bitterly. "I shall go down when Lucy comes in from t' school, and not afore. I've never no peace nor pleasure when he's at 'ome."
"He doesn't ill-treat you, does he?"