PETIT AND KERVER.
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A few punning devices occur among the early English printers, but they are not always clever or pictorially successful. The earliest example is that of Richard Grafton, whose pretty device represents a tun with a grafted tree growing through it, the motto, “Suscipite insertum verbum,” being taken from the Epistle to St. James (i., verse 21). John Day’s device, with the motto “Arise! for it is day,” is generally supposed to be an allusion to the Reformation as well as a pun on his name; tradition has it, however, that Day was accustomed to awake his apprentices, when they had prolonged their slumbers beyond the usual hour, by the wholesome application of a scourge and the summons “Arise! for it is day.” We may also mention the devices of Hugh Singleton, a single tun; and of W. Middleton, a tun with the letter W at bottom and M in the centre of the tun; of T. Pavier, in which, appropriately enough, we have a pavior paving the streets of a town, and surrounded by the motto “Thou shalt labour till thou return to dust.” Thomas Woodcock employed a device of a cock on a stake, piled as for a Roman funeral, with the motto “Cantabo Iehovæ quia benefecit”; Andrew Lawrence, a St. Andrew cross.

JACQUES DU PUYS.

Although not in any sense of a “punning” nature, the employment of a printing press as a Mark may conveniently be here referred to. It was first used in this manner, and in more than one form, by Josse Bade, or Badius, an eminent printer of the first thirty-five years of the sixteenth century, and to whom full reference will be found in the chapter on French Marks. A Flemish printer, Pierre César, Ghent, 1516, was apparently the next to employ this device; then came Jehan Baudouyn, Rennes, 1524; Eloy Gibier, Orleans, 1556; Jean Le Preux, Paris and Switzerland, 1561; Enguilbert (II.) De Marnef and the Bouchets brothers, Poitiers, 1567; and, later than all, L. Cloquemin, Lyons, 1579.

T. PAVIER.

Next to the section of “punning” devices, perhaps the most entertaining is that which deals with the question of mottoes. These are derived from an infinite variety of sources, not infrequently from the fertile brains of the printers themselves. Their application is not always clear, but they are nearly always indicative of the virility which characterized the old printers. It is neither desirable nor possible to exhaust this somewhat intricate phase of the subject, but it will be necessary to quote a few representative examples. Occasionally we get a snatch of verse, as in the case of Michel Le Noir, whose motto runs thus: