Day's Library, the second oldest existing circulating library in London (the oldest is that of Cawthorn and Hutt, established in 1744, Cockspur Street), has continued from the year 1776 within a few hundred yards of its present situation. In that year a Mr. Dangerfield established it on the north side of Berkeley Square, and it was purchased from him by Mr. Rice in 1810 or 1811, under whom it largely developed in extent and reputation. In 1818 he removed into the adjoining Mount Street at No. 123 (south side), where for about fifty years the library remained. Meanwhile it became the property of Mr. Hoby, and after one or two changes successively of Mr. John and Mr. Charles Day, father and son. In Mr. John Day's hands it crossed the road to No. 16 on the north side, and remained there about twenty-four years, till that part of Mount Street was cleared to make way for the present Carlos Place. Then in the year 1890 it again crossed the road to No. 96, where Mr. Charles Day holds a long lease. An early catalogue of the institution shows that the eighteenth-century circulating libraries contained a portion of the weightier works, such as history, biography, travels, etc., a fact which is rarely realized in the face of the popular impression that it was left to the late Mr. C. E. Mudie to supply such works.
ST. PAUL'S CHURCHYARD AND NEIGHBOURHOOD.
The bookselling and book-hunting annals of the district which starts with St. Paul's, and terminates at Charing Cross, might occupy a goodly-sized volume. We must of necessity be brief, chiefly because both Paternoster Row and St. Paul's Churchyard have been, for the most part, book-publishing rather than second-hand bookselling localities. As a literary highway, Paternoster Row is of considerable antiquity, for Robert Rikke, a paternoster-maker and citizen, had a shop here in the time of Henry IV., and there can be no question that its name originated from the fact that it was at a very early period the residence of the makers of paternosters, or prayer-beads. Before the Great Fire of 1666, Paternoster Row was not much of a bookselling centre, for it was inhabited chiefly by mercers, silkmen, and lacemen, whose shops were a fashionable resort of the gentry who resided at that time in the immediate vicinity. After the Fire, the Row gradually became famous for its booksellers, or rather publishers, who resided at first near the east end, and whose large warehouses were 'well situated for learned and studious men's access thither, being more retired and private.' Although the book-annals of Paternoster Row chiefly deal with matters subsequent to the Great Fire, there were many publishers and booksellers there over a hundred years before that calamity. In and about 1558 there were, for example, two of the fraternity here established—Richard Lant and Henry Sutton, the latter's shop being at the sign of the Black Morion. For over twenty years, 1565 to 1587, Henry Denham was at the Star in Paternoster Row, whence he issued, among a large number of other books, George Turberville's 'Epitaphs, Epigrams, Songs, and Sonnets' in 1570.
The last century, however, witnessed the rise of Paternoster Row as a publishing locality. From 1678 and onwards book-auctions were held at the Hen and Chickens at nine in the morning; at the Golden Lion over against the Queen's Head Tavern, Paternoster Row, at nine in the morning and two in the afternoon, and at other places both in the Row and in its numerous tributaries, such as Ivy Lane, Ave Maria Lane, etc. Although some of the earliest book-auctions held in this country took place in the immediate vicinity of Paternoster Row, and although it had attained a world-wide celebrity as a publishing centre, it has very few interesting records as a second-hand bookselling locality. Awnsham and John Churchill were located at the Black Swan in 1700; William Taylor, the publisher of 'Robinson Crusoe,' 1719, was here at the sign of the Ship early in the last century, and was succeeded by Thomas Longman in 1725, the present handsome pile of buildings, erected in 1863, being on the original spot occupied in part by the founder of the firm. The Longmans had a second-hand department attached to their house in the early part of the present century, as we have already seen. Others which may be here mentioned as being connected with the Row are Baldwin and Cradock; and Ralph Griffiths, of the 'Dunciad'—'those significant emblems, the owl and long-eared animal, which Mr. Griffiths so sagely displays for the mirth and information of mankind'—for whom Goldsmith wrote reviews in a miserable garret. The last firm of second-hand booksellers of note who thrived in Paternoster Row was that of William Baynes and Son; and the last of the race is still remembered by the older generation of book-collectors, with his old-time appearance in frills and gaiters. In 1826 Baynes published one of the most remarkable catalogues (254 pages) of books printed in the fifteenth century which has ever appeared. It is full of extremely valuable bibliographical information. For many years John Wheldon, the natural history bookseller, had a shop, chiefly for the sale of back numbers of periodicals, at 4, Paternoster Row (as well as in Great Queen Street), and this little shop subsequently passed into the tenancy of Jesse Salisbury, who was there until six or seven years ago. The Chapter Coffee-house, where so many important publishing schemes have been mooted and carried out, still lingers in the Row, but modernized out of all recognition.
The chief interest of St. Paul's Churchyard as a book locality centres itself in the publishing rather than the second-hand bookselling phase. One of our earliest printer-publishers, Julian Notary, was 'dwellynge in powles chyrche yarde besyde ye weste dore by my lordes palyes' in 1515, his shop sign being the Three Kings. At the sign of the White Greyhound, in St. Paul's Churchyard, the first editions of Shakespeare's 'Venus and Adonis' and 'Rape of Lucrece' were published by John Harrison; at the Fleur de Luce and the Crown appeared the first edition of the 'Merry Wives of Windsor'; at the Green Dragon the first edition of the 'Merchant of Venice'; at the Fox the first edition of 'Richard II.'; whilst the first editions of 'Richard III.,' 'Troilus and Cressida,' 'Titus Andronicus,' and 'Lear' all bear Churchyard imprints.