[CHAPTER XXVIII] — HAYDN, MOZART AND BEETHOVEN COMPARED[316]-326

Their relation to symphony — refinement of Mozart — early age of Mozart — Beethoven's independence — relation to sonata — Beethoven more free — climax of classical art — Beethoven adagios — summing up — tendency of progress.

[CHAPTER XXIX] — OPERA IN THE EIGHTEENTH CENTURY[327]-351

Three great names — Graun — Gluck — his reforms — his ideal — early works — "Orpheus" — "Iphigenie" — Mozart's place in opera — Rameau — theoretical writings — Rousseau — Phillidor — Monsigny — Grétry — Gossec — Méhul — Lesueur — Boieldieu — French opera in general — Italian opera — Pergolesi — Jomelli — Sacchini — Paisiello — Piccini — Zingarelli — opera in England — Purcell — Dr. Arne.

[CHAPTER XXX] — PIANO PLAYING VIRTUOSI — VIOLINISTS — TARTINI AND SPOHR[352]-369

Pianoforte established as domestic instrument — Scarlatti — Mattheson — Dr. Blow — John Bull — Clementi — Dussek — Cramer — Berger — Hummel — Moscheles — Tartini — Spohr.

[BOOK FIFTH — EPOCH OF THE ROMANTIC.]

[CHAPTER XXXI] — THE NINETEENTH CENTURY — THE ROMANTIC — MUSIC OF THE FUTURE[373]-380

Classic and romantic defined — art in general — applied to music — illustrated by Schubert — Schumann — development of virtuosity Berlioz — "music of the future" — how originating — the outlook.

[CHAPTER XXXII] — SCHUBERT AND THE ROMANTIC[381]-391