Music of the Ancient World.
PRIMITIVE TYPES OF INSTRUMENTS, AND
AN ARTISTIC MONODY, WITHOUT
REAL TONALITY.
CHAPTER I.
MUSIC AMONG THE ANCIENT EGYPTIANS.
Y a curious fortune we are able to form an approximately accurate idea of the musical instruments in use in Egypt as long ago as about 4000 B.C. The earliest advanced civilization of which any coherent traces have come down to us was developed along the Nile, where the equable climate and the periodic inundations of the river raised the pursuit of the husbandman above the uncertainties incident to less favorable climates, while at the same time the mild climate reduced to a minimum the demands upon his productive powers for the supply of the necessaries of life. This interesting people had the curious custom of depositing the mummies of their dead in tombs elaborately hewn out of the rock, or excavated in more yielding ground, in the hills which border the narrow valley of the Nile. Many of these excavations are of very considerable extent, reaching sometimes to the number of twenty rooms, and a linear distance of 600 feet from the entrance. The walls of these underground apartments are generally decorated in outline intaglio if the rock be hard; or in color if the walls be plaster, as is often the case. The subjects of the decorations embrace the entire range of the domestic and public life of the people, among them being many of a musical character. One of the first discoveries of this kind was made toward the close of the preceding century, when Bruce, an English traveler, found in a tomb at Biban-El-Moulouk representations of two magnificently decorated harps played by priests. These have since generally been called "Bruce's Harpers." The instruments have been represented in many ways by different writers, the most curious perversion of the facts being found in Burney's "History of Music," where they have the form of the modern harp.