Nor was the good old custom of the Kirn omitted at Abbotsford. Every autumn, before proceeding to Edinburgh, Scott gave a 'Harvest Home,' to which all the tenantry and their friends—as many as the barn could hold—were invited. Sir Walter and his family were present during the first part of the evening, to dispense the good things and say a few words of farewell. Old and young danced from sunset to sunrise, to the skirling of John o' Skye's pipes, or the strains of some 'Wandering Willie's' fiddle, the laird having his private joke for every old wife or 'gausie carle,' his arch compliment for the ear of every bonnie lass, and his hand and his blessing for the head of every little Eppie Daidle from Abbotstown or Broomielees. Hogmanay, and the immemorial customs of the New Year, as celebrated in Scotland—now fast dying out—obtained full respect at Abbotsford. Scott said it was uncanny, and would certainly have felt it very uncomfortable not to welcome the New Year in the midst of his family and a few cronies in the orthodox fashion. But nothing gave him such delight as the visit which he received as laird from all the children on his estate on the last morning of the year, when, as he was fond of quoting:

'The cottage bairns sing blythe and gay
At the ha' door for hogmanay.'

The words and form of the drama exist in various versions in every part of the Border Country, almost every parish possessing its own rendering. The dramatis personæ, three or four in number, sometimes even five, arrayed in fantastic fashion, proceeded from house to house, generally contenting themselves with the kitchen for an arena, where the performance was carried through in presence of the entire household. 'Galations' (not 'Goloshin') is the title of the play. Some account of it will be found in Chambers' 'Popular Rhymes of Scotland,' and in Maidment's scarce pamphlet on the subject (1835).

From what has been said, it is not difficult to imagine the ideal relationship existing between Scott and his dependents at Abbotsford. They were surely the happiest retainers and domestics in the world. How considerate he was in the matter of dwellings, for instance! He realized that he owed them a distinct duty in diffusing as much comfort and security into their lives as possible. They were not mere goods and chattels, but beings of flesh and blood, with human sympathies like himself. And he treated them as such. Amid the severities of winter, some of his Edinburgh notes to Laidlaw are perfect little gems of their kind: 'This dreadful weather will probably stop Mercer (the weekly carrier). It makes me shiver in the midst of superfluous comforts to think of the distress of others. I wish you to distribute £10 amongst our poorer neighbours so as may best aid them. I mean not only the actually indigent, but those who are, in our phrase, ill off. I am sure Dr. Scott (of Darnlee) will assist you with his advice in this labour of love. I think part of the wood-money, too, should be given among the Abbotstown folks if the storm keeps them off work, as is like.' And again: 'If you can devise any means by which hands can be beneficially employed at Abbotsford, I could turn £50 or £100 extra into service. If it made the poor and industrious people a little easier, I should have more pleasure in it than any money I ever spent in my life.' 'I think of my rooks amongst this snowstorm, also of the birds, and not a little of the poor. For benefit of the former, I hope Peggy throws out the crumbs, and a cornsheaf or two for the game, if placed where poachers could not come at them. For the poor people I wish you to distribute £5 or so among the neighbouring poor who may be in distress, and see that our own folks are tolerably well off.' 'Do not let the poor bodies want for a £5, or even a £10, more or less'—

'We'll get a blessing wi' the lave,
And never miss 't.'

Socially, the bond between Scott and his servants was a characteristic object-lesson. 'He speaks to us,' said one, 'as if we were blood relations.' Like Swift, he maintained that an affectionate and faithful servant should always be considered in the character of a humble friend. Even the household domestics 'stayed on' year after year. Some of them grew grey in his service. One or two died. He had always several pensioners beside him. Abbotsford was like a little happy world of its own—the most emphatic exception to the cynic's rule. Scott was 'a hero and a gentleman' to those who knew him most intimately in the common and disillusionizing routine of domestic life.

In reading Lockhart, one feels that, aristocrat as Scott was, familiar with the nobility and literary lions of the time, he was most at home, and happiest, perhaps, in the fellowship of commoner men, such as Laidlaw, and Purdie, and John Usher, and James Hogg, who were knit to him as soul to soul. Of some of these he declared that they had become almost an integral part of his existence. We know how life was inexpressibly changed for Scott minus Tom Purdie, and to dispense with Laidlaw, when that had become absolutely necessary, was as the iron entering his soul. The most perfect pen-portraits in Lockhart are those of Purdie (the Cristal Nixon of 'Redgauntlet'), that faithful factotum and friend for whom he mourned as a brother; and 'dear Willie' Laidlaw, betwixt whom and Scott the most charming of all master and servant correspondence passed; and 'auld Pepe'—Peter Mathieson, his coachman, a wondrously devoted soul, content to set himself in the plough-stilts, and do the most menial duties, rather than quit Abbotsford at its darkest. John Swanston, too, Purdie's successor, and Dalgleish, the butler, occupy exalted niches in the temple of humble and honest worth and sweet sacrificing service for a dear master's sake who was much more than master to them all. Purdie's grave, close to Melrose Abbey, with a modest stone erected by Sir Walter Scott, is probably the most visited of the 'graves of the common people' almost anywhere. It is eighty-three years since, apparently in the fullest enjoyment of health and vigour, he bowed his head one evening on the table, and dropped asleep—for ever. Laidlaw lies at Contin amid the Highland solitudes. But few from Tweedside have beheld the green turf beneath which his loyal heart has been long resting, or read the simple inscription on the white marble that marks a spot so sacred to all lovers of Abbotsford and Sir Walter.

'Here lie the remains of William Laidlaw,
Born at Blackhouse in Yarrow,
November, 1780. Died at Contin, May 18, 1845.'

No account of the Abbotsford life can fail to take notice of the extraordinary number of visitors, who, even at that early date, flocked to the shrine of Sir Walter. The year 1825, as has been said, must be regarded as the high-water mark in the splendours of Abbotsford. From the dawn of 'Waverley,' but particularly the period immediately preceding the crash, Abbotsford was the most sought-after house in the kingdom. It was seldom without its quota of guests. 'Like a cried fair,' Scott described it on one occasion. 'A hotel widout de pay,' was Lady Scott's more matter-of-fact comparison. What a profoundly interesting and curious record a register of visitors to Abbotsford would have been!