"Where is the Maiden of mortal strain,
That may match with the Baron of Triermain?
She must be lovely, and constant and kind,
Holy and pure, and humble of mind,
Blithe of cheer, and gentle of mood,
Courteous, and generous, and noble of blood—
Lovely as the sun's first ray,
When it breaks the clouds of an April day,
Constant and true as the widow'd dove,
Kind as a minstrel that sings of love."
[A] Lanercost is a fine example of Early English. The church consists of a nave with north aisle, a transept with aisles on the east side used as monumental chapels and choir, a chancel, and a low square tower. The nave is used as the Parish Church. The crypt contains several Roman altars from Burdoswald, etc. Some of the inscriptions are of great interest.
[B] Naworth is said to be one of the oldest and best specimens existing of a baronial residence. It is associated largely with the turbulent times of Border warfare. "Belted Will," a terror to all marauders, is its best-known name, "a singular lover of venerable antiquities, and learned withal," as Camden describes him. The British Museum contains some of his letters, and his library is still preserved at Naworth. "Belted Will's" Tower, to the north-east of the Castle, is the most notable feature at Naworth.
III. THE TWEED AND ITS ASSOCIATIONS.
"Both are good, the streams of north and south, but he who has given his heart to the Tweed as did Tyro in Homer to the Enipeus, will never change his love." So does Mr. Andrew Lang remind us of his affection for Tweedside and the Border. Elsewhere he speaks of Tweed shrining the music of his cradle song, and the requiem he would most prefer—may that day be long in coming!
"No other hymn
I'd choose, nor gentler requiem dear
Than Tweed's, that through death's twilight dim,
Mourned in the latest Minstrel's ear."
Lockhart's description of Sir Walter's death-scene, so touching in its very simplicity, has never been matched in literary biography. From the first years of his life, Scott was wedded to the Tweed. It was his ancestral stream. And it stood for all that was best and fairest in Border story. It was by the Tweed that he won his greatest triumphs, and faced his greatest defeats, where he spent the happiest as well as the most strenuous period of his career. So that, to breathe his last breath by its pleasant banks—a desire oft repeated—was as natural as it was keen and eager. We know how at length he was borne back to Abbotsford, the house of his dreams, and how on one of those ideal days during the early autumn that crowning wish was realised; "It was a beautiful day, so warm that every window was wide open, and so perfectly still that the sound of all others most delicious to his ear—the gentle ripple of the Tweed over its pebbles—was distinctly audible as we knelt around the bed and his eldest son kissed and closed his eyes."
Of course, it is owing, in great measure, to Scott that the Tweed has so exalted a place in literature. To speak of the Tweed at once recalls Scott and all that the Tweed meant to him. Both in a sense are names inseparable and synonymous. It is almost entirely for Scott's sake that Tweedside has become one of the world-Meccas. What Scott did for the Tweed—the Border—renders it (to speak reverently) holy ground for ever. Hence the affection with which the world looks on Scott—as a patriot,—as one who has helped to create his country, and as a great literary magnet attracting thousands to it, and as the medium of some of the most pleasurable of mental experiences. Of the great names on Scotland's roll of honour, Scott, even more than all of them (even more than Burns), has wedded his country to the very best of humankind everywhere. But do not let us forget that Tweed had its lovers many before Scott's day. Burns's pilgrimage to the Border was a picturesque episode in his poetic history. "Yarrow and Tweed to monie a tune owre Scotland rings," he wrote, and other lines represent a warm admiration for the district. Tweed was a "wimpling stately" stream, and there were "Eden scenes on crystal Jed" scarcely less fascinating. James Thomson, the poet of the "Seasons," a Tweedsider, though the fact is often forgotten, pays grateful homage to the Tweed as the "pure parent-stream, whose pastoral banks first heard my Doric reed." Allan Ramsay and Robert Crawford, West-country men both, came early under the spell of the fair river. Crawford's lines are painted with the usual exaggeration of the period:
"What beauties does Flora disclose!
How sweet are her smiles upon Tweed!
Yet Mary's, still sweeter than those,
Both nature and fancy exceed.
No daisy, nor sweet blushing rose,
Not all the gay flowers of the field,
Not Tweed, gliding gently through those,
Such beauty and pleasure does yield."