Three inscriptions—one inside, two in the churchyard, are worth halting by. "Heir lyis the Race of ye Hovs of Zair," touches many hearts with its simple pathos. "The Lord is my Light," is the expressive text (self-chosen) on Sir David Brewster's tomb—the greatest master of optics in his day; and the third, covering the remains of a former Melrose schoolmaster was frequently on the lips of Scott:

"The earth goeth on the earth,
Glist'ring like gold,
The earth goes to the earth
Sooner than it wold.
The earth builds on the earth
Castles and towers,
The earth says to the earth
All shall be ours."

If half the grace of Melrose is lost by reason of its environment, the situation of Dryburgh is queenly enough. It is assuredly the most picturesque monastic ruin in Great Britain. Scott's is the all-absorbing name, and as a matter of fact he would himself have become by inheritance the laird of Dryburgh, but for the financial folly of a spendthrift grand-uncle. "The ancient patrimony," he tells us, "was sold for a trifle, and my father, who might have purchased it with ease, was dissuaded by my grandfather from doing so, and thus we have nothing left of Dryburgh but the right of stretching our bones there." So here, the two Sir Walters, the two Lady Scotts, and Lockhart, await the breaking light of morn. Dryburgh, be it noted, is in Berwickshire—in Mertoun parish, where (at Mertoun House) Scott wrote the "Eve of St. John." Not far off is Sandyknowe (not Smailholm, as it is generally designated) Tower, the scene of the ballad, and the cradle of Scott's childhood, where there awoke within him the first real consciousness of life, and where he had his first impressions of the wondrously enchanted land that lay within the comparatively small circle of the Border Country. Ruined Roxburgh, between Tweed's and Teviot's flow, and the palatial Floors Castle represent the best of epochs old and new, and even more than in Scott's halcyon school days is Kelso the "Queen of the South Countrie." Coldstream, lying in sylvan loveliness on the left bank of the Tweed—a noble river here—has been the scene of many a memorable crossing from both countries from the time of Edward I. to the Covenanting struggle. So near the Border, Coldstream had at one time a considerable notoriety for its runaway marriages, the most notable of which was Lord Brougham's in 1819. Within an easy radius of Coldstream are Wark Castle, the mere site of it rather—where in 1344 Edward III. instituted the Order of the Garter; Twizel Bridge, with its single Gothic arch, cleverly crossed by Surrey and his men (it is the identical arch) at Flodden, that darkest of all dark fields for Scotland,

"Where shivered was fair Scotland's spear,
And broken was her shield."

Of Norham Castle, frowning like Carlisle, to the North, and set down as it were to over-awe a kingdom, Scott's description is always the best. Ladykirk Church was built by James IV. in gratitude for his escape from drowning while fording the Tweed. Last of all, we reach Berwick, at one period the chief seaport in Scotland—a "second Alexandria," as was said, now the veriest shadow of its former self. Christianized towards the close of the fourth century, according to Bede, as a place rich in churches, monasteries and hospitals, Berwick held high rank in the ecclesiastical world. Its geographical position, too, as a frontier town made it the Strasburg for which contending armies were continually in conflict. Century after century its history was one red record of strife and bloodshed. Its walls, like its old Bridge spanning the Tweed, were built in Elizabeth's reign, and its Royal Border Bridge, opened to traffic in 1850, was happily characterised by Robert Stephenson, its builder, as the "last act of the Union."

PLATE 18

THE REMNANT OF
WARK CASTLE

FROM A WATER-COLOUR SKETCH
PAINTED BY

JAMES ORROCK, R.I.