The brilliant candle dazed the moth well:
One day she sang to her Papa
The air that Marie sings with Bothwell
In Neidermeyer’s opera.
(Therein a stable boy, it’s stated,
Devoutly loved a noble dame,
Who ardently reciprocated
His rather injudicious flame.)
And then, before the piano closing
(He listened coyly at the door),
She sang a song of her composing—
I give one verse from half a score:
Ballad
Why, pretty page, art ever sighing?
Is sorrow in thy heartlet lying?
Come, set a-ringing
Thy laugh entrancing,
And ever singing
And ever dancing.
Ever singing, Tra! la! la!
Ever dancing, Tra! la! la!
Ever singing, ever dancing,
Ever singing, Tra! la! la!
He skipped for joy like little muttons,
He danced like Esmeralda’s kid.
(She did not mean a boy in buttons,
Although he fancied that she did.)
Poor lad! convinced he thus would win her,
He wore out many pairs of soles;
He danced when taking down the dinner—
He danced when bringing up the coals.
He danced and sang (however laden)
With his incessant “Tra! la! la!”
Which much surprised the noble maiden,
And puzzled even her Papa.
He nourished now his flame and fanned it,
He even danced at work below.
The upper servants wouldn’t stand it,
And Bowles the butler told him so.
At length on impulse acting blindly,
His love he laid completely bare;
The gentle Earl received him kindly
And told the lad to take a chair.