The ships of the Greeks had various ornaments attached to the prow and stern, most of which were afterwards adopted by the Romans, and may even still be seen on the waters of the Mediterranean. Thus an eye painted on each side of the prow was supposed to indicate watchfulness and to ward off ill-luck; while the prow itself terminated in the acrostolium, the head of an animal or bird—corresponding in principle with our figure-head. An original goose-head (technically called cheniscus) is still preserved in the Bibliothèque at Paris.[21] So, at a later period, St. Paul’s ship had for its “ensign” the “sign of Castor and Pollux,”[22] while Ovid’s ship, which bore him to the land of his exile, had a head of Minerva painted on her prow.[23]

On the stern was the aplustre, forming a kind of roof over the steersman, and bearing also the image of the tutelary Deity—a flag or pennon—sometimes a lantern, as may be seen on Trajan’s Column, and the purple sail which, in Roman times, marked the Admiral’s ship.[24] Ships, it appears, were from remote times painted with various colours. Thus Homer specifies black, red, and purple,[25] and Herodotus speaks of red paint;[26] while Plautus, in a well-known passage, classes together ships and women as equally greedy of ornament.[27] It was also, occasionally, the custom to paint the sails with stripes of various colours.

As a rule, the names of the ships were, in ancient days, feminine, and named from celebrated women, as Nausicaa; hence Aristophanes calls them “Virgins.”[28] The Romans, on the other hand, sometimes gave them masculine names.

Launching, &c.

From the earliest ages, the launch of a vessel has been attended with considerable ceremonies; frequently with feasting and bands of music, and a dedication to various deities who were supposed to watch over her safety in an especial manner. On setting sail, she was adorned with flowers and garlands indicative of future prosperity; and the special aid of Neptune, Minerva, and of the other gods invoked with solemn prayer and sacrifices for her success.[29] When large fleets started, it was usual to send the lighter vessels first, then the ships which acted as convoy, and lastly those of heavy burthen or deep draught of water. The oars, when not required, were triced up to the sides of the vessels. On the completion of the voyage, ships were generally hauled up on shore and protected from the weather; similar prayers being again offered to Nereus, Glaucus, Melicertes, and the other deities of the sea, or to Mercury, to whom the merchant and shipowner (then almost invariably identical in meaning) had specially committed their ships.[30]

Men who had escaped shipwreck felt bound to make special offerings to the gods in testimony of their gratitude; sometimes hanging up in a neighbouring temple the garment in which they had been saved,[31] or shaving their hair—a custom Petronius justly calls the last vow of men who have saved nothing but their lives.[32]

Rigid discipline was maintained on board the ships, and punishments of great severity inflicted on those who failed to keep proper ward and watch; nay, even the barbarous practice of “keel-hauling,” once not uncommon in the English service, was not wholly unknown to the ancients. The crews were generally composed of two classes; the mariners, who attended to the navigation and trimming of the sails, and the rowers. These offices were usually kept distinct, the mariners being rarely, except in cases of great emergency, compelled to labour at the oars.[33]

The work of the rowers, to which we shall allude more particularly hereafter, was one of severe toil; hence, as in modern times, the music of the voice or the pipe stimulated the rowers to fresh exertion or tended to relieve the depressing monotony of their work.[34] Many ancient writers, and notably Xenophon, Polybius, and Arrian,[35] have left us interesting accounts of the way in which the rowers were trained; the practice of the Greeks and Romans, and especially that of the latter people, having been remarkable for its perfection in the execution of the most difficult manœuvres.

Master.

The master or pilot, whose place was in the stern, though not himself required to steer, was expected to understand the due management of the rudder and sails, the usual course of the winds, the indications in the sky of a change of weather, and the situation of the harbours most fitting for his vessel, or of the shoals the most to be avoided.[36] He was also expected to take proper cognizance of the omens offered by the sea-fowl and fishes, with divers other phenomena, as the murmuring of the floods, the dashing of waves against the shore, and other signs believed to import changes in the weather.[37]