THE FIRST ACT
Scene: The drawing-room at Kenyon-Fulton. It is a handsome apartment with large windows, reaching to the ground. On the walls are old masters whose darkness conceals their artistic insignificance. The furniture is fine and solid. Nothing is very new or smart. The chintzes have a rather pallid Victorian air. The room with its substantial magnificence represents the character of a family rather than the taste of an individual.
It is night and one or two electric lamps are burning.
Moore, an elderly impressive butler, comes in, followed by Gann. This is Claude Insoley’s gamekeeper, a short, sturdy man, grizzled, with wild stubborn hair and a fringe of beard round his chin. He wears his Sunday clothes of sombre broadcloth.
Moore.
You’re to wait here.
[Gann, hat in hand, advances to the middle of the room.
Moore.
They’ve not got up from dinner yet, but he’ll come and see you at once.