She wondered if her death would really cause him much sorrow; Bertha’s will gave him everything of which she was possessed, and he would spend it with a second wife. She was seized with insane jealousy.
“No, I won’t die,” she cried between her teeth, “I won’t!”
But one day, while Edward was hunting, her morbid fancies took another turn. Supposing he should die? The thought was unendurable, but the very horror of it fascinated her; she could not drive away the scenes which, with strange distinctness, her imagination set before her. She was seated at the piano and heard suddenly a horse stop at the front door—Edward was back early: but the bell rang; why should Edward ring? There was a murmur of voices without and Arthur Branderton came in. In her mind’s eye she saw every detail most clearly. He was in his hunting clothes! Something had happened, and knowing what it was, Bertha was yet able to realise her terrified wonder, as one possibility and another rushed through her brain. He was uneasy, he had something to tell, but dared not say it; she looked at him, horror-stricken, and a faintness came over her so that she could hardly stand.
Bertha’s heart beat quickly. She told herself it was absurd to let her imagination run away with her; but, notwithstanding, the pictures vividly proceeded: she seemed to assist at a ghastly play in which she was chief actor.
And what would she do when the fact was finally told her—that Edward was dead? She would faint or cry out.
“There’s been an accident,” said Branderton—“your husband is rather hurt.”
Bertha put her hands to her eyes, the agony was dreadful.
“You mustn’t upset yourself,” he went on, trying to break it to her.
Then, rapidly passing over the intermediate details she found herself with her husband. He was dead, lying on the floor—and she pictured him to herself, she knew exactly how he would look; sometimes he slept so soundly, so quietly, that she was nervous and put her ear to his heart to know if it was beating. Now he was dead. Despair suddenly swept down upon her overpoweringly. Bertha tried again to shake off her fancies, she even went to the piano and played a few notes; but the morbid attraction was too strong for her and the scene went on. Now that he was dead, he could not check her passion, now he was helpless and she kissed him with all her love; she passed her hands through his hair, and stroked his face (he had hated this in life), she kissed his lips and his closed eyes.
The imagined grief was so poignant that Bertha burst into tears. She remained with the body, refusing to be separated from it—Bertha buried her face in the cushions so that nothing might disturb her illusion, she had ceased trying to drive it away. Ah, she loved him passionately, she had always loved him and could not live without him. She knew that she would shortly die—and she had been afraid of death. Ah, now it was welcome! She kissed his hands—he could not prevent her now—and with a little shudder opened his eyes; they were glassy, expressionless, immobile. Clinging to him, she sobbed in love and anguish. She would let none touch him but herself; it was a relief to perform the last offices for him who had been her whole life. She did not know that her love was so great.