The curtain rose on the next act, and in his eagerness to see what was about to happen, Edward immediately ceased to listen to what Bertha was in the middle of saying, and gave himself over to the play. The feelings of the audience having been sufficiently harrowed, the comic relief was turned on. The funny man made jokes about various articles of clothing, tumbling over tables and chairs; and it charmed Bertha again to see her husband’s open-hearted hilarity. It tickled her immensely to hear his peals of unrestrained laughter; he put his head back, and, with his hands to his sides, simply roared.
“He has a charming character,” she thought.
Craddock had the strictest notions of morality, and absolutely refused to take his wife to a music-hall; Bertha had seen abroad many sights, the like of which Edward did not dream, but she respected his innocence. It pleased her to see the firmness with which he upheld his principles, and it somewhat amused her to be treated like a little schoolgirl. They went to all the theatres; Edward, on his rare visits to London, had done his sightseeing economically, and the purchase of stalls, the getting into dress-clothes, were new sensations which caused him great pleasure. Bertha liked to see her husband in evening dress; the black suited his florid style, and the white shirt with a high collar threw up his sunburnt, weather-beaten face. He looked strong above all things, and manly; and he was her husband, never to be parted from her except by death: she adored him.
Craddock’s interest in the stage was unflagging; he always wanted to know what was going to happen, and he was able to follow with the closest attention even the incomprehensible plot of a musical comedy. Nothing bored him. Even the most ingenuous find a little cloying the humours and the harmonies of a Gaiety burlesque; they are like toffee and butterscotch, delicacies for which we cannot understand our youthful craving. Bertha had learnt something of music in lands where it is cultivated as a pleasure rather than as a duty, and the popular melodies with obvious refrains sent cold shivers down her back; but they stirred Craddock to the depths of his soul. He beat time to the swinging, vulgar tunes, and his face was transfigured when the band played a patriotic march with a great braying of brass and beating of drums. He whistled and hummed it for days afterwards. “I love music,” he told Bertha in the entracte. “Don’t you?”
With a tender smile she confessed she did, and for fear of hurting Edward’s feelings did not suggest that the music in question made her almost vomit. What mattered it if his taste in that respect were not beyond reproach; after all there was something to be said for the honest, homely melodies that touched the people’s heart. It is only by a convention that the Pastoral Symphony is thought better art than Tarara-boom-deay. Perhaps, in two or three hundred years, when everything is done by electricity and every one is equal, when we are all happy socialists, with good educations and better morals, Beethoven’s complexity will be like a mass of wickedness, and only the plain, honest homeliness of the comic song will appeal to our simple feelings.
“When we get home,” said Craddock, “I want you to play to me; I’m so fond of it.”
“I shall love to,” she murmured. She thought of the long winter evenings which they would spend at the piano, her husband by her side to turn the leaves, while to his astonished ears she unfolded the manifold riches of the great composers. She was convinced that his taste was really excellent.
“I have lots of music that my mother used to play,” he said. “By Jove, I shall like to hear it again—some of those old tunes I can never hear often enough—The Last Rose of Summer, and Home, Sweet Home, and a lot more like that.”
“By Jove, that show was ripping,” said Craddock, when they were having supper; “I should like to see it again before we go back.”
“We’ll do whatever you like, my dearest.”