“I shall be going to Amitrano’s about nine tomorrow, and if you’ll be there then I’ll see that you get a good place and all that sort of thing.”
She asked him what he wanted to do, and Philip felt that he should not let her see how vague he was about the whole matter.
“Well, first I want to learn to draw,” he said.
“I’m so glad to hear you say that. People always want to do things in such a hurry. I never touched oils till I’d been here for two years, and look at the result.”
She gave a glance at the portrait of her mother, a sticky piece of painting that hung over the piano.
“And if I were you, I would be very careful about the people you get to know. I wouldn’t mix myself up with any foreigners. I’m very careful myself.”
Philip thanked her for the suggestion, but it seemed to him odd. He did not know that he particularly wanted to be careful.
“We live just as we would if we were in England,” said Mrs. Otter’s mother, who till then had spoken little. “When we came here we brought all our own furniture over.”
Philip looked round the room. It was filled with a massive suite, and at the window were the same sort of white lace curtains which Aunt Louisa put up at the vicarage in summer. The piano was draped in Liberty silk and so was the chimney-piece. Mrs. Otter followed his wandering eye.
“In the evening when we close the shutters one might really feel one was in England.”