Leonard Upjohn blew in two or three times a week, and there was something of the dead leaf in his appearance which made the word exactly descriptive of the manner of his appearance. He was a weedy-looking fellow of five-and-thirty, with long pale hair and a white face; he had the look of a man who lived too little in the open air. He wore a hat like a dissenting minister’s. Philip disliked him for his patronising manner and was bored by his fluent conversation. Leonard Upjohn liked to hear himself talk. He was not sensitive to the interest of his listeners, which is the first requisite of the good talker; and he never realised that he was telling people what they knew already. With measured words he told Philip what to think of Rodin, Albert Samain, and Caesar Franck. Philip’s charwoman only came in for an hour in the morning, and since Philip was obliged to be at the hospital all day Cronshaw was left much alone. Upjohn told Philip that he thought someone should remain with him, but did not offer to make it possible.
“It’s dreadful to think of that great poet alone. Why, he might die without a soul at hand.”
“I think he very probably will,” said Philip.
“How can you be so callous!”
“Why don’t you come and do your work here every day, and then you’d be near if he wanted anything?” asked Philip drily.
“I? My dear fellow, I can only work in the surroundings I’m used to, and besides I go out so much.”
Upjohn was also a little put out because Philip had brought Cronshaw to his own rooms.
“I wish you had left him in Soho,” he said, with a wave of his long, thin hands. “There was a touch of romance in that sordid attic. I could even bear it if it were Wapping or Shoreditch, but the respectability of Kennington! What a place for a poet to die!”
Cronshaw was often so ill-humoured that Philip could only keep his temper by remembering all the time that this irritability was a symptom of the disease. Upjohn came sometimes before Philip was in, and then Cronshaw would complain of him bitterly. Upjohn listened with complacency.
“The fact is that Carey has no sense of beauty,” he smiled. “He has a middle-class mind.”