“It’s rather lucky the poems haven’t come out yet. I think we’d better hold them back a bit and I’ll write a preface. I began thinking of it during the drive to the cemetery. I believe I can do something rather good. Anyhow I’ll start with an article in The Saturday.”
Philip did not reply, and there was silence between them. At last Upjohn said:
“I daresay I’d be wiser not to whittle away my copy. I think I’ll do an article for one of the reviews, and then I can just print it afterwards as a preface.”
Philip kept his eye on the monthlies, and a few weeks later it appeared. The article made something of a stir, and extracts from it were printed in many of the papers. It was a very good article, vaguely biographical, for no one knew much of Cronshaw’s early life, but delicate, tender, and picturesque. Leonard Upjohn in his intricate style drew graceful little pictures of Cronshaw in the Latin Quarter, talking, writing poetry: Cronshaw became a picturesque figure, an English Verlaine; and Leonard Upjohn’s coloured phrases took on a tremulous dignity, a more pathetic grandiloquence, as he described the sordid end, the shabby little room in Soho; and, with a reticence which was wholly charming and suggested a much greater generosity than modesty allowed him to state, the efforts he made to transport the Poet to some cottage embowered with honeysuckle amid a flowering orchard. And the lack of sympathy, well-meaning but so tactless, which had taken the poet instead to the vulgar respectability of Kennington! Leonard Upjohn described Kennington with that restrained humour which a strict adherence to the vocabulary of Sir Thomas Browne necessitated. With delicate sarcasm he narrated the last weeks, the patience with which Cronshaw bore the well-meaning clumsiness of the young student who had appointed himself his nurse, and the pitifulness of that divine vagabond in those hopelessly middle-class surroundings. Beauty from ashes, he quoted from Isaiah. It was a triumph of irony for that outcast poet to die amid the trappings of vulgar respectability; it reminded Leonard Upjohn of Christ among the Pharisees, and the analogy gave him opportunity for an exquisite passage. And then he told how a friend—his good taste did not suffer him more than to hint subtly who the friend was with such gracious fancies—had laid a laurel wreath on the dead poet’s heart; and the beautiful dead hands had seemed to rest with a voluptuous passion upon Apollo’s leaves, fragrant with the fragrance of art, and more green than jade brought by swart mariners from the manifold, inexplicable China. And, an admirable contrast, the article ended with a description of the middle-class, ordinary, prosaic funeral of him who should have been buried like a prince or like a pauper. It was the crowning buffet, the final victory of Philistia over art, beauty, and immaterial things.
Leonard Upjohn had never written anything better. It was a miracle of charm, grace, and pity. He printed all Cronshaw’s best poems in the course of the article, so that when the volume appeared much of its point was gone; but he advanced his own position a good deal. He was thenceforth a critic to be reckoned with. He had seemed before a little aloof; but there was a warm humanity about this article which was infinitely attractive.
LXXXVI
In the spring Philip, having finished his dressing in the out-patients’ department, became an in-patients’ clerk. This appointment lasted six months. The clerk spent every morning in the wards, first in the men’s, then in the women’s, with the house-physician; he wrote up cases, made tests, and passed the time of day with the nurses. On two afternoons a week the physician in charge went round with a little knot of students, examined the cases, and dispensed information. The work had not the excitement, the constant change, the intimate contact with reality, of the work in the out-patients’ department; but Philip picked up a good deal of knowledge. He got on very well with the patients, and he was a little flattered at the pleasure they showed in his attendance on them. He was not conscious of any deep sympathy in their sufferings, but he liked them; and because he put on no airs he was more popular with them than others of the clerks. He was pleasant, encouraging, and friendly. Like everyone connected with hospitals he found that male patients were more easy to get on with than female. The women were often querulous and ill-tempered. They complained bitterly of the hard-worked nurses, who did not show them the attention they thought their right; and they were troublesome, ungrateful, and rude.
Presently Philip was fortunate enough to make a friend. One morning the house-physician gave him a new case, a man; and, seating himself at the bedside, Philip proceeded to write down particulars on the ‘letter.’ He noticed on looking at this that the patient was described as a journalist: his name was Thorpe Athelny, an unusual one for a hospital patient, and his age was forty-eight. He was suffering from a sharp attack of jaundice, and had been taken into the ward on account of obscure symptoms which it seemed necessary to watch. He answered the various questions which it was Philip’s duty to ask him in a pleasant, educated voice. Since he was lying in bed it was difficult to tell if he was short or tall, but his small head and small hands suggested that he was a man of less than average height. Philip had the habit of looking at people’s hands, and Athelny’s astonished him: they were very small, with long, tapering fingers and beautiful, rosy finger-nails; they were very smooth and except for the jaundice would have been of a surprising whiteness. The patient kept them outside the bed-clothes, one of them slightly spread out, the second and third fingers together, and, while he spoke to Philip, seemed to contemplate them with satisfaction. With a twinkle in his eyes Philip glanced at the man’s face. Notwithstanding the yellowness it was distinguished; he had blue eyes, a nose of an imposing boldness, hooked, aggressive but not clumsy, and a small beard, pointed and gray: he was rather bald, but his hair had evidently been quite fine, curling prettily, and he still wore it long.
“I see you’re a journalist,” said Philip. “What papers d’you write for?”
“I write for all the papers. You cannot open a paper without seeing some of my writing.” There was one by the side of the bed and reaching for it he pointed out an advertisement. In large letters was the name of a firm well-known to Philip, Lynn and Sedley, Regent Street, London; and below, in type smaller but still of some magnitude, was the dogmatic statement: Procrastination is the Thief of Time. Then a question, startling because of its reasonableness: Why not order today? There was a repetition, in large letters, like the hammering of conscience on a murderer’s heart: Why not? Then, boldly: Thousands of pairs of gloves from the leading markets of the world at astounding prices. Thousands of pairs of stockings from the most reliable manufacturers of the universe at sensational reductions. Finally the question recurred, but flung now like a challenging gauntlet in the lists: Why not order today?