"She might as well marry the Ten Commandments!" he cried impatiently.
Mary cared for him from habit, from a sense of decorum, and for the fitness of things; but that was not love. He shrugged his shoulders scornfully, looking for some word to express the mildly pleasant, unagitating emotion. James, who had been devoured by it, who had struggled with it as with a deadly sin, who had killed it finally while, like a serpent of evil, it clung to his throat, drinking his life's blood, James knew what love was—a fire in the veins, a divine affliction, a passion, a frenzy, a madness. The love he knew was the love of the body of flesh and blood, the love that engenders, the love that kills. At the bottom of it is sex, and sex is not ugly or immoral, for sex is the root of life. The woman is fair because man shall love her body; her lips are red and passionate that he may kiss them; her hair is beautiful that he may take it in his hands—a river of living gold.
James stopped, and the dead love rose again and tore his entrails like a beast of prey. He gasped with agony, with bitter joy. Ah, that was the true love! What did he care that the woman lacked this and that? He loved her because he loved her; he loved her for her faults. And in spite of the poignant anguish, he thanked her from the bottom of his heart, for she had taught him love. She had caused him endless pain, but she had given him the strength to bear it. She had ruined his life, perhaps, but had shown him that life was worth living. What were the agony, the torture, the despair, beside that radiant passion which made him godlike? It is only the lover who lives, and of his life every moment is intense and fervid. James felt that his most precious recollection was that ardent month, during which, at last, he had seen the world in all its dazzling movement, in its manifold colour, singing with his youth and laughing to his joy.
And he did not care that hideous names have been given to that dear passion, to that rich desire. The vulgar call it lust, and blush and hide their faces; in their folly is the shame, in their prurience the disgrace. They do not know that the appetite which shocks them is the very origin of the highest qualities of man. It is they, weaklings afraid to look life in the face, dotards and sentimentalists, who have made the body unclean. They have covered the nakedness of Aphrodite with the rags of their own impurity. They have disembowelled the great lovers of antiquity till Cleopatra serves to adorn a prudish tale and Lancelot to point a moral. Oh, Mother Nature, give us back our freedom, with its strength of sinew and its humour! For lack of it we perish in false shame, and our fig-leaves point our immodesty to all the world. Teach us that love is not a tawdry sentiment, but a fire divine in order to the procreation of children; teach us not to dishonour our bodies, for they are beautiful and pure, and all thy works are sweet. Teach us, again, in thy merciful goodness, that man is made for woman, his body for her body, and that the flesh cannot sin.
Teach us also not to rant too much, even in thy service; and though we do set up for prophets and the like, let us not forget occasionally to laugh at our very august selves.
Then, harking back, Jamie's thoughts returned to the dinner of the previous evening at the Clibborns. He was the only guest, and when he arrived, found Mary and the Colonel by themselves in the drawing-room. It was an old habit of Mrs. Clibborn's not to appear till after her visitors, thinking that so she created a greater effect. The Colonel wore a very high collar, which made his head look like some queer flower on a long white stalk; hair and eyebrows were freshly dyed, and glistened like the oiled locks of a young Jewess. He was the perfect dandy, even to his bejewelled fingers and his scented handkerchief. His manner was a happy mixture of cordiality and condescension, by the side of which Mary's unaffected simplicity contrasted oddly. She seemed less at home in an evening dress than in the walking costume she vastly preferred; her free, rather masculine movements were ungainly in the silk frock, badly made and countrified, while lace and ribbons suited her most awkwardly. She was out of place, too, in that room, decorated with all the abominations of pseudo-fashion, with draperies and tissue-paper, uncomfortable little chairs and rickety tables. In every available place stood photographs of Mrs. Clibborn—Mrs. Clibborn sitting, standing, lying; Mrs. Clibborn full face, three-quarter face, side face; Mrs. Clibborn in this costume or in that costume—grave, gay, thoughtful, or smiling; Mrs. Clibborn showing her beautiful teeth, her rounded arms, her vast shoulders; Mrs. Clibborn dressed to the nines, and Mrs. Clibborn as undressed as she dared.
Finally, the beauty swept in with a great rustle of silk, displaying to the full her very opulent charms. Her hair was lightly powdered, and honestly she looked remarkably handsome.
"Don't say I've kept you waiting," she murmured. "I could never forgive myself."
James made some polite reply, and they went down to dinner. The conversation was kept at the high level which one naturally expects from persons fashionable enough to dine late. They discussed Literature, by which they meant the last novel but one; Art, by which they meant the Royal Academy; and Society, by which they meant their friends who kept carriages. Mrs. Clibborn said that, of course, she could not expect James to pay any attention to her, since all his thoughts must be for Mary, and then proceeded entirely to absorb him.
"You must find it very dull here," she moaned. "I'm afraid you'll be bored to death." And she looked at Mary with her most smilingly cruel expression. "Oh, Mary, why did you put on that dreadfully dowdy frock? I've asked you over and over again to give it away, but you never pay attention to your poor mother."