Miss Ley shrugged her shoulders.
“You know, to achieve great success in literature you must have a certain coarseness in your composition, and that I don’t think Basil has. Really to move and influence men you must have complete understanding, and you can only get that if you have in you something of the common clay of humanity. . . . But now I really must go to bed. You’re such a chatterbox, Bella, I believe you would keep me up all night.”
This was somewhat hard on Miss Langton, who for an hour had barely opened her mouth.
VI
But while the two ladies thus discussed him, Basil Kent stood on the bridge over the ornamental water in St. James’s Park, and looked thoughtfully at that scene than which perhaps there is none more beautiful in the most beautiful of all cities, London: the still water, silvered by the moon, the fine massing of the trees, and the Foreign Office, pompous and sedate, formed a composition as perfect and no less formally elaborate than any painted by Claude Lorrain. The night was warm and balmy, the sky clear; and the quiet was so delightful, notwithstanding the busy hum of Piccadilly, where, at that hour, all was gaiety and frolic, that it reminded Basil of some restful, old-fashioned town in France. His heart beat with a strange elation, for he knew at last, without possibility of doubt, that Mrs. Murray loved him. Before, though he could not be unaware that she saw him with pleasure and listened to his conversation with interest, he had not the audacity to suppose a warmer feeling; but when they met that evening he surprised a blush while she gave her hand, and this had sent the blood running to his own cheeks. He took her down to dinner, and the touch of her fingers on his arm burnt him like fire. She spoke but little, yet listened to his words with a peculiar intensity as though she sought in them some hidden meaning, and when his eyes met hers seemed to shrink back almost in fear. But at the same time her look had a strange, expectant eagerness, as though she had heard the promise of some excellent thing, and awaited it vehemently, yet half afraid.
Basil recalled Mrs. Murray’s entrance into the drawing-room, and his admiration for the grace of her bearing and the fine sweep of her long dress. She was a tall woman, as tall as himself, with a certain boyishness of figure that lent itself to a sinuous distinction of line; her hair was neither dark nor fair, the eyes gray and tender, but her smile was very noticeable for a peculiar sweetness that marked an attractive nature. And if there was no precise beauty in her face, its winsome expression, the pallor of her skin, gave it a fascinating grave sadness reminiscent of the women of Sandro Botticelli: there was that same inscrutable look of melancholy eyes which suggested a passionate torment repressed and hidden, and she had that very grace of gesture which one is certain was theirs. But to Basil Mrs. Murray’s greatest charm was the protecting fondness, as though she were ready to shield him from all the world’s trouble, which he felt in her; it made him at once grateful, proud, and humble. He longed to take in his own those caressing hands and to kiss her lips; he felt already round his neck the long white arms as she drew him to her heart with an affection half maternal.
Mrs. Murray had never looked handsomer than that night when she stood in the hall, holding herself very erect, and spoke with Basil while waiting for her carriage. Her cloak was so beautiful that the young man remarked on it, and she, flushing slightly with pleasure because he noticed, looked down at the heavy brocade as splendid as some material of the eighteenth century.
“I bought the stuff in Venice,” she said, “but I feel almost unworthy to wear it. I couldn’t resist it because it’s exactly like a gown worn by Catherine Cornaro in a picture in one of the galleries.”
“Only you could wear it,” answered Basil, with flashing eyes. “It would overwhelm anyone else.”
She smiled and blushed, and bade him good-night.